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Doctor Who: The Runaway Bride
A bride in church, about to be married, is mysteriously transported to the TARDIS while it is still in flight. Although the Doctor knows her arrival in the TARDIS is an impossible occurrence, he still sets out to return her to her wedding ceremony. When she gets kidnapped by Santa-looking automatons when they reach Earth, the Doctor realizes she is the key to some much bigger alien plan. However, can the Doctor divine the alien Raknoss’ plan in time to save the bride from her impending doom, and thereby ultimately saving the Earth from being devoured?
| 8.5/10 (8 Votes cast) |
Episode Info
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Episode number: 2x14 Production Number: 28 Airdate: Monday December 25th, 2006 Special Runtime: 60 Minutes Alternate Airdates:
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Recap
Donna Noble is coming down the aisle during her wedding to Lance Bennett on Christmas Eve. However, she disappeared in a glow of golden energy and drifts through the ceiling...Read the full recap
Episode Notes
This is the first episode of the 2005 series to mention Gallifrey, the Doctor's home planet, by name.
This episode reveals that the Doctor's pockets, like the TARDIS, are "bigger on the inside."
This episode reveals that huon particles are an ancient form of energy present in the Heart of the TARDIS.
The Doctor (David Tennant) uses his sonic screwdriver to manipulate a cashpoint, exactly as he did in the 2005 episode "The Long Game".
Episode Quotes
Donna: Who are you?
The Doctor: I am the Doctor. And who are you?
Donna: Donna.
The Doctor: Human?
Donna: Yeah. Is that optional?
The Doctor: It is with me.
The Doctor: I am the Doctor. And who are you?
Donna: Donna.
The Doctor: Human?
Donna: Yeah. Is that optional?
The Doctor: It is with me.
The Doctor: Weird, you're not special, you're not powerful, you're not connected, you're not clever, you're not important...?
Donna: This friend of yours, just before she left, did she punch you in the face?
Donna: This friend of yours, just before she left, did she punch you in the face?
The Doctor: Only a madmen talks to thin air and trust me, you don’t want to make me mad.
The Empress of the Racnoss: Prepare your best medicines, Doctor-man!
The Doctor: Oh but I'm not from Mars.
The Empress of the Racnoss: Then where?
The Doctor: My home planet is far away and long since gone. But its name lives on...Gallifrey.
The Empress of the Racnoss: Then where?
The Doctor: My home planet is far away and long since gone. But its name lives on...Gallifrey.
The Doctor: It was all in the job title: head of human resources.
Lance: This time, it's personnel.
(Lance and the Empress of the Racnoss start laughing)
Lance: This time, it's personnel.
(Lance and the Empress of the Racnoss start laughing)
The Doctor: (referring to the TARDIS) I've got to park her properly or she might drift off to the Middle Ages.
Donna: Will I see you again?
The Doctor: If I'm lucky.
Donna: Just promise me one thing. Find someone.
The Doctor: I don't need anyone.
Donna: Yes, you do. Because sometimes, I think you need someone to stop you.
The Doctor: Yeah.
The Doctor: If I'm lucky.
Donna: Just promise me one thing. Find someone.
The Doctor: I don't need anyone.
Donna: Yes, you do. Because sometimes, I think you need someone to stop you.
The Doctor: Yeah.
Other Episode Crew
| • Executive Producer | Russell T. Davies | Julie Gardner (1) |
| • Producer | Phil Collinson |
| • Production Designer | Michael Edward Thomas (3) |
| • Editor | John Richards |
| • Casting | Andy Pryor |
| • First Assistant Director | Peter Bennett (3) |
| • Second Assistant Director | Steff Morris |
| • Music | Murray Gold |
| • Costume Designer | Louise Page |
| • Make-up | John Munro (2) | Steve Smith (8) | Pam Mullins |
| • Grip | John Robinson (3) |
| • Set Decorator | Tristan Peatfield |
| • Location Manager | Patrick Schweitzer | Gareth Skelding |
| • Property Master | Paul Aitken (2) |
| • Production Coordinator | Jess Van Niekerk |
| • Assistant Editor | Ceres Doyle |
| • Post Production Supervisor | Samantha Hall | Chris Blatchford |
| • Supervising Sound Editor | Paul McFadden |
| • Gaffer | Mark Hutchings |
| • On-Line Editor | Matthew Clarke (2) |
| • Director of Photography | Rory Taylor |
| • Stunts | Rob Hunt | Nina Armstrong | Richard Hammatt | Gary Hoptrough | George Cottle | Tina Maskell |
| • Stunt Coordinator | David Forman |
| • Production Secretary | Kevin Myers |
| • Storyboard Artist | Shaun Williams |
| • Assistant Production Coordinator | Debi Griffiths |
| • Post Production Coordinator | Marie Brown (2) |
| • Production Management | Tracie Simpson |
| • Special Effects | Will Cohen (3) |
| • Script Editor | Simon Winstone |
| • Dubbing Mixer | Tim Ricketts |
| • Sound Recordist | Julian Howarth |
| • Third Assistant Director | Sarah Davies |
| • Costume Supervisor | Lindsay Bonaccorsi |
| • Boom Operator | Jon Thomas |
| • Art Department Coordinator | Matt North (1) |
| • Visual Effects Coordinator | Rebecca Johnson (2) | Jenna Powell |
| • Main Title Theme | Ron Grainer |
| • Visual Effects Supervisor | Barney Curnow | David Houghton |
| • Production Accountant | Endaf Emyr Williams |
| • Best Boy | Peter Chester |
| • Casting Associate | Andy Brierley |
| • Visual Effects Producer | Marie Jones (2) |
| • Special Effects Supervisor | Paul Kelly (4) |
| • Production Executive | Julie Scott (2) |
| • Unit Manager | Rhys Griffiths |
| • Colorist | Mick Vincent |
| • Assistant Costume Designer | Rose Goodhart |
| • Special Effects Coordinator | Ben Ashmore |
| • Continuity | Non Eleri Hughes |
| • Focus Puller | Steve Rees |
| • Supervising Art Director | Stephen Nicholas | Arwel Wyn Jones |
| • Standby Art Director | Lee Gammon |
| • Construction Manager | Matthew Hywel-Davies |
| • Standby Props | Phill Shellard | Clive Clarke |
| • Production Runner | Victoria Wheel |
| • Floor Runner | Barry Phillips |
| • Art Department Production Manager | Jonathan Allison |
| • Associate Designer | James North |
| • Design Assistant | Peter McKinstry | Ben Austin |
| • Make-up Designer | Barbara Southcott |
| • Chief Property Master | Adrian Anscombe |
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