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Fringe: Inner Child
A mysterious pale-skinned mute child is found in a 70-year-old chamber beneath a building scheduled for demolition. Olivia bonds with the child as she helps investigate a serial killer, the Artist. However, it soon becomes apparent that the Child has a unique link to the killer.
| 9/10 (40 Votes cast) |
Episode Info
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Episode number: 1x15 Production Number: 3T7664 Airdate: Tuesday April 07th, 2009 Alternate Airdates:
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UK (
NL (
Co-Guest Stars
Main Cast
Recap
A worker is preparing explosives for blasting during a demolition project. They clear the building of derelicts and leave the building. However, the head worker, Phil, suddenly seems to notice something, saying he has a weird feeling. He tells his co-worker to postpone the demolition and then runs another sweep. He goes over the blueprints and thinks they missed something. He finds a hollow spot in the floor and breaks through, revealing a tunnel that wasn’t on the blueprints. They descend and explore the area beneath. Finally they find a small Child, naked and bald with pale white eyes...Read the full recap
Episode Notes
The previous episode's clue is a yellow evergreen decal that appears on the newsstand vendor's awning. The Child uses yellow M&Ms to make an evergreen to tell Olivia who the killer is.
Episode Quotes
Broyles: Dr. Bishop? Any thoughts?
Walter: Perhaps. First I need a piece of special equipment. My turntable.
Broyles: Is that some kind of lab equipment?
Walter: No, no, a turntable. Record player. You enjoy music, don't you, Mr. Broyles? Well imagine the agony of having an extensive record collection and having no means to play it.
Peter: The agony.
Broyles: I'll have someone get right on it.
Walter: Perhaps. First I need a piece of special equipment. My turntable.
Broyles: Is that some kind of lab equipment?
Walter: No, no, a turntable. Record player. You enjoy music, don't you, Mr. Broyles? Well imagine the agony of having an extensive record collection and having no means to play it.
Peter: The agony.
Broyles: I'll have someone get right on it.
Walter: Unless you have an IQ higher than mine, I am not interested in what you think.
Peter: Walter. Olivia's here, she needs to talk to you. Walter!
Walter: Could she come back later? I'm about to step in the bath.
Peter: No, she can't come back later. It's the middle of the night. She needs to talk to you right now.
Walter: Honestly, Peter, can't a man get... Agent Dunham. Peter, why didn't you tell me Agent Dunham was here?
Peter: I'm pretty sure I did.
Walter: Could she come back later? I'm about to step in the bath.
Peter: No, she can't come back later. It's the middle of the night. She needs to talk to you right now.
Walter: Honestly, Peter, can't a man get... Agent Dunham. Peter, why didn't you tell me Agent Dunham was here?
Peter: I'm pretty sure I did.
Walter: Pheromones. Undetectable chemicals that nonetheless affect our behavior, our sex drive...
Peter: (points to Walter's open bathrobe) Hey, speaking of sex drive...
Walter: Oh, Peter, don't be such a prude. I'm sure Agent Dunham knows what a penis looks like. Don't you, Agent Dunham?
Peter: My father, ladies and gentlemen.
Peter: (points to Walter's open bathrobe) Hey, speaking of sex drive...
Walter: Oh, Peter, don't be such a prude. I'm sure Agent Dunham knows what a penis looks like. Don't you, Agent Dunham?
Peter: My father, ladies and gentlemen.
Walter: My dear, there is much that is unexplained. Until it is.
Peter: In short, he has no idea.
Peter: In short, he has no idea.
Olivia: Walter, the last time you used that thing, you drilled it into the guy's head.
Walter: If you think he'll find it disagreeable... I suppose it could be modified.
Peter: Really? You didn't think to mention that to the last guy?
Walter: If you think he'll find it disagreeable... I suppose it could be modified.
Peter: Really? You didn't think to mention that to the last guy?
Walter: After that, it's a simply a matter of synthesizing the impulses. Think of it as creating artificial vocal cords.
Peter: Simple. Like making an omelet.
Walter: Actually, son, a good omelet is far more complex, eh?
Peter: Simple. Like making an omelet.
Walter: Actually, son, a good omelet is far more complex, eh?
Walter: Cannot Build Phallic Puzzles In The Lab...
Peter: What is he doing?
Astrid: Mnemonics. You know, like a rhyme or phrase to help memory. Like, uh, "Home" stands for the Great Lakes. That's Huron...
Peter: I'm familiar with that. Why is he doing it?
Peter: What is he doing?
Astrid: Mnemonics. You know, like a rhyme or phrase to help memory. Like, uh, "Home" stands for the Great Lakes. That's Huron...
Peter: I'm familiar with that. Why is he doing it?
Other Episode Crew
| • Creator | J. J. Abrams | Alex Kurtzman | Roberto Orci |
| • Executive Producer | Jeff Pinkner | Bryan Burk | J. J. Abrams |
| • Co-Executive Producer | Brooke Kennedy | David H. Goodman | Andrew Kreisberg |
| • Supervising Producer | J. R. Orci |
| • Producer | Robert M. Williams, Jr. | Frederick E. O. Toye |
| • Co-Producer | Brad Caleb Kane |
| • Consulting Producer | Alex Kurtzman | Roberto Orci |
| • Associate Producer | Tanya M. Swerling |
| • Production Designer | Steven Jordan (1) |
| • Editor | Jon Dudkowski |
| • Casting | Ross Meyerson |
| • Unit Production Manager | Robert M. Williams, Jr. |
| • First Assistant Director | Gary Rake |
| • Second Assistant Director | Patrick Mangan |
| • Music | Michael Giacchino |
| • Music Editor | Stephen M. Davis | Paul Apelgren |
| • Music Supervisor | Charles L. Scott IV | Billy Gottlieb |
| • Costume Designer | Marie Abma |
| • Key Grip | Sal Lanza |
| • Camera Operator | Jeff Muhlstock |
| • Set Decorator | Beth Kushnick |
| • Location Manager | Lynn Powers |
| • Property Master | Natalie Dorset |
| • Script Supervisor | Rachel Connors |
| • Assistant Editor | Lisa De Moraes |
| • Post Production Supervisor | Andrew Balek | John Klump |
| • Supervising Sound Editor | Tom Harris (3) |
| • Re-Recording Mixer | Mark D. Fleming | Tom Dahl |
| • Gaffer | Tim Guinness |
| • Director of Photography | Fred V. Murphy |
| • Stunt Coordinator | Shauna Duggins |
| • Sound Mixer | Larry Hoff |
| • Special Makeup Effects Artist | Louis Zakarian |
| • Main Title Theme | J. J. Abrams |
| • Visual Effects Supervisor | Jay Worth | Chris Scollard |
| • Main Title Design | Andrew Kramer |
| • Department Head Hair | Anne Michelle Radcliffe |
| • Casting Associate | Maria Higgins (3) |
| • Department Head Make-up | Kymbra Kelly |
| • Original Casting | April Webster |
| • Special Effects Coordinator | Conrad Brink, Jr. |
| • Additional Music | Chad Seiter | Chris Tilton |
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