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Haven: Welcome to Haven
FBI Agent Audrey Parker goes to the small town of Haven, Maine, to track down an escaped prisoner. When he turns up dead, the local authorities are ready to dismiss it as a freak accident. However, the bizarre circumstances of the death, strange storms, and spreading cracks in the ground make Audrey think there's more to Haven than meets the eye. With the aid of local police officer Nathan Wuornos, Audrey vows to find out how the prisoner really died.
| 7.8/10 (42 Votes cast) |
Episode Info
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Episode number: 1x1 Airdate: Friday July 09th, 2010 Alternate Airdates:
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CA (
UK (
Co-Guest Stars
Main Cast
Recap
FBI agent Audrey Parker is oversleeping at home when her superior, Agent Howard, arrives. He notes that she's reading fiction, and reminds her that FBI is non-fiction. When she asks if his comment concerns her case in Miami, he assures her that it is. Audrey defends her approach, saying that being opened to less likely possibilities is how she solves cases like the Miami case. Howard then informs her that she's going to Haven, Maine, the home town of Jonas Lester. He escaped a Federal lockup and killed a guard, and Audrey is to find Jonas and bring him back. As she goes over the case, Howard tells her to focus on the job, and nothing else...Read the full recap
Episode Notes
The Teague brothers' address, 217 King Street, refers to Stephen King and Room 217, the haunted room in his novel, The Shining.
Music
| Artist | Song Title | Played When |
| The Captain and Tennille | Love Will Keep Us Together | Audrey's alarm, car radio |
Episode Quotes
Agent Howard: (about Audrey's home) It's impressive how little you've done with... so little.
Audrey: That's what I do with all the vacation time that I don't get. Hit a bunch of outlet stores and furniture shop with all the guys that I don't meet.
Audrey: That's what I do with all the vacation time that I don't get. Hit a bunch of outlet stores and furniture shop with all the guys that I don't meet.
Nathan: (after Audrey's car goes of a cliff) Shame about the car.
Audrey: That's a rental.
Audrey: That's a rental.
Audrey: FBI! Who are you?
Nathan: Haven PD. Who are you?
Audrey: F-B-I. Are you deaf?
Nathan: Haven PD. Who are you?
Audrey: F-B-I. Are you deaf?
Nathan: Can I give you a ride somewhere?
Audrey: Yeah, I guess it's friendlier than if I commandeer your vehicle.
Nathan: Probably less paperwork, too.
Audrey: Yeah, I guess it's friendlier than if I commandeer your vehicle.
Nathan: Probably less paperwork, too.
Chief Wournos: Oh, it's the FBI. Well, is this one of those situations where you're here claiming to help, but you're really just here to step on my toes?
Audrey: Not in these shoes.
Audrey: Not in these shoes.
Nathan: Welcome to Haven. You like pancakes? We got good pancakes.
Audrey: What about lobster? Isn't Maine famous for lobster?
Nathan: I don't like lobster. I really like pancakes.
Audrey: Ah, I like the truck.
Nathan: Thanks. Had it since I was 19.
Audrey: How do you keep a car that long?
Nathan: I don't drive off cliffs.
Audrey: What about lobster? Isn't Maine famous for lobster?
Nathan: I don't like lobster. I really like pancakes.
Audrey: Ah, I like the truck.
Nathan: Thanks. Had it since I was 19.
Audrey: How do you keep a car that long?
Nathan: I don't drive off cliffs.
Audrey: So you seriously can't feel pain?
Nathan: It's called ideopathic neuropathy.
Audrey: You really couldn't feel it when that car door hit your hand?
Nathan: No.
Audrey: Can you feel fire?
Nathan: No.
Audrey: Ice?
Nathan: Oddly, yes. I can feel ice.
Audrey: You can feel ice?
Nathan: No. I can feel a headache coming on, though.
Nathan: It's called ideopathic neuropathy.
Audrey: You really couldn't feel it when that car door hit your hand?
Nathan: No.
Audrey: Can you feel fire?
Nathan: No.
Audrey: Ice?
Nathan: Oddly, yes. I can feel ice.
Audrey: You can feel ice?
Nathan: No. I can feel a headache coming on, though.
Audrey: You took my clothes.
Duke: Good morning.
Audrey: You took my clothes.
Duke: Well, now, I laundered your clothes. I saved your life. That's an odd combination, when you think about it. I mean, if you think about it.
Audrey: You must be Duke.
Duke: Good morning.
Audrey: You took my clothes.
Duke: Well, now, I laundered your clothes. I saved your life. That's an odd combination, when you think about it. I mean, if you think about it.
Audrey: You must be Duke.
Duke: Milk, one sugar, right?
Audrey: No. No, and why would you know how I took my coffee?
Duke: I wouldn't. It would've been cool if I did.
Audrey: No. No, and why would you know how I took my coffee?
Duke: I wouldn't. It would've been cool if I did.
Audrey: Wow, that's impressive.
Vince: You should see him use the Google machine.
Dave: (doing a data search) Hilarious.
Vince: You should see him use the Google machine.
Dave: (doing a data search) Hilarious.
Audrey: You know, every other kid I knew dreamed that their parents would come and claim them. And then they'd turn out to be rock stars. But I--I just dreamed that... you know what, never mind.
Nathan: Too late to stop now.
Audrey: I dreamed that my mother would roll up in a big bus, and she would rescue every kid in every orphanage in the world and bring them home.
Nathan: Might be a good idea to let that one go.
Nathan: Too late to stop now.
Audrey: I dreamed that my mother would roll up in a big bus, and she would rescue every kid in every orphanage in the world and bring them home.
Nathan: Might be a good idea to let that one go.
Other Episode Crew
| • Developer | Sam Ernst | Jim Dunn (1) |
| • Executive Producer | Lloyd Segan | Laszlo Barna | David McLeod (2) | Scott Shepherd | Jim Dunn (1) | Sam Ernst | Noreen Halpern | John Morayniss | Shawn Piller |
| • Co-Executive Producer | Adam Fratto | Jose Molina (1) |
| • Supervising Producer | Stefani Deoul |
| • Consulting Producer | Charles Ardai |
| • Production Designer | Jennifer Stewart (2) |
| • Editor | Geoffrey Rowland |
| • Casting | Stephanie Gorin | Sheila Lane | Shawn Dawson |
| • Line Producer | Ginny Jones Duzak |
| • First Assistant Director | Mary Reynolds |
| • Second Assistant Director | Bruce Zwicker |
| • Music | Shawn Pierce |
| • Music Editor | Rob Betola |
| • Music Supervisor | Aideen O'Brien |
| • Costume Designer | Jeanie Kimber |
| • Key Grip | Darryl Duzak |
| • Set Decorator | Darlene Lewis |
| • Location Manager | Andrew Sheridan (2) |
| • Transportation Coordinator | Rodney Dominey |
| • Property Master | Jason Shurko |
| • Construction Coordinator | Jeff Beanlands |
| • Script Supervisor | Mary Louise McCloskey |
| • Production Coordinator | Adele MacDonald |
| • Assistant Editor | Steve Sahagun |
| • Post Production Supervisor | Eileen Graham | Jason Ray King |
| • Supervising Sound Editor | Allan Fung |
| • Re-Recording Mixer | Bruce Fleming | Paul Williamson (1) |
| • Gaffer | Ken Leblanc |
| • Director of Photography | Eric Cayla |
| • Stunt Coordinator | Randy Boliver |
| • Art Director | Terry Quennell |
| • Assistant Production Coordinator | John Shurko |
| • Production Management | Ginny Jones Duzak |
| • Sound Mixer | Robert Ainsley | Jim Rillie |
| • Based On The Works Of | Stephen King |
| • Consultant | Matt McGuinness | Todd Ulman |
| • Key Makeup Artist | Stephen Lynch (2) |
| • Visual Effects Supervisor | Kris Wood |
| • Production Accountant | B.J. Dainard | Christine MacDonald |
| • Transportation Captain | Manny Taylor |
| • "A" Camera Operator | Christopher Ball |
| • Key Hairstylist | Joanne Stamp |
| • Executive In Charge Of Production | Tashi Bieler | Susan Alexander (2) | Peter Emerson | Martin Irusta |
| • Production Executive | Vanessa Steinmetz |
| • Unit Publicist | Anne Marie Lapointe |
| • Foley Editor | Steve Copley |
| • Colorist | Robert Evans | Mark Kueper |
| • Special Effects Coordinator | Gary Coates |
| • Foley Artist | Virginia Storey |
| • Sound Effects Editor | Clive Turner |
| • "B" Camera Operator | Patrick Doyle (3) |
| • Wardrobe Set Supervisor | Jim Worthen |
| • Still Photographer | Christopher Reardon |
| • Senior Executive Producer | John Robinson (4) | Margaret O'Brien (2) |
| • Story Coordinator | Brian Millikin (2) |
| • "a" Camera First Assistant | Eddy McInnis |
| • "a" Camera Second Assistant | Andrew Stretch |
| • "b" Camera First Assistant | Gareth Roberts (2) |
| • "b" Camera Second Assistant | Mike Snider |
| • Creative Executive | Larry Gilbert (2) |
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