Episode Info
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Episode number: 1x4 Airdate: Friday July 30th, 2010 Alternate Airdates:
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UK (
Main Cast
Recap
Audrey is on the docks when Duke passes her on his way to a date. When he compliments her, she wonders what he's up to, and then asks him about Lucy. He refuses to talk to her because she's a cop, and Audrey suggests that she could make him talk. duke tells her to wait until he's in a more cooperative mood, and she agrees. As she goes, he suggests she check out the Haven Farmer's Market...Read the full recap
Episode Quotes
Duke: You look nice.
Audrey: Wait. What's that supposed to mean?
Duke: It means you look nice.
Audrey: And yet somehow it doesn't sound like a compliment.
Audrey: Wait. What's that supposed to mean?
Duke: It means you look nice.
Audrey: And yet somehow it doesn't sound like a compliment.
Duke: I don't talk to cops. Even cops that I like. Which, technically, you would be the only one. So congratulations. But nonetheless, I still don't talk.
Audrey: That was almost a compliment. Heavy on the "almost."
Duke: I'll be more careful next time.
Audrey: That was almost a compliment. Heavy on the "almost."
Duke: I'll be more careful next time.
Nathan: Trouble at the Farmer's Market. You're here. Cause and effect?
Audrey: Funny.
Audrey: Funny.
Audrey: What's this stuff?
Nathan: Want to be a local. Helps to look like one.
Audrey: Thanks, Nathan. That's, that's really sweet. I thought I just had to squint a lot and leave out half my words.
Nathan: Be a start.
Nathan: Want to be a local. Helps to look like one.
Audrey: Thanks, Nathan. That's, that's really sweet. I thought I just had to squint a lot and leave out half my words.
Nathan: Be a start.
Nathan: They're reopening with a menu featuring only local ingredients.
Audrey: You can cook pine trees?
Audrey: You can cook pine trees?
Audrey: I can't believe you guys are giving me fashion advice.
David: She should have come to us sooner.
Vince: A lot sooner.
David: She should have come to us sooner.
Vince: A lot sooner.
Audrey: You're staring again.
David: But in a good way this time. (pauses) It sounded creepy even to me.
David: But in a good way this time. (pauses) It sounded creepy even to me.
Audrey: I have a theory.
Nathan: Surprise.
Audrey: You're not going to like it.
Nathan: Surprise again.
Nathan: Surprise.
Audrey: You're not going to like it.
Nathan: Surprise again.
Duke: It's nice to see another side of Officer Agent Parker.
Audrey: I'm pretty sure you saw every single side of me the day we met. When you fished me out of the water.
Duke: It's a shame you're a cop.
Audrey: Now why is that?
Duke: I don't usually socialize with cops.
Audrey: Did it ever occur to you that that might be their choice?
Duke: No.
Audrey: I'm pretty sure you saw every single side of me the day we met. When you fished me out of the water.
Duke: It's a shame you're a cop.
Audrey: Now why is that?
Duke: I don't usually socialize with cops.
Audrey: Did it ever occur to you that that might be their choice?
Duke: No.
Audrey: You know, I was thinking about... how there are two different Havens. There's the one that's right beneath the surface, and there's the one right underneath that.
Nathan: Sounds like every town.
Audrey: It's definitely not like every town. But you, Nathan, you live in both Havens and I think that we're going to find that very useful.
Nathan: Might be.
Nathan: Sounds like every town.
Audrey: It's definitely not like every town. But you, Nathan, you live in both Havens and I think that we're going to find that very useful.
Nathan: Might be.
Other Episode Crew
| • Developer | Sam Ernst | Jim Dunn (1) |
| • Executive Producer | Lloyd Segan | Laszlo Barna | Scott Shepherd | Jim Dunn (1) | Sam Ernst | David McLeod (2) | Noreen Halpern | John Morayniss | Shawn Piller |
| • Co-Executive Producer | Jose Molina (1) | Adam Fratto |
| • Supervising Producer | Stefani Deoul |
| • Consulting Producer | Charles Ardai |
| • Production Designer | Jennifer Stewart (2) |
| • Editor | Neil Grieve |
| • Casting | Stephanie Gorin | Sheila Lane | Shawn Dawson |
| • Line Producer | Ginny Jones Duzak |
| • First Assistant Director | Derek Filiatrault |
| • Second Assistant Director | Bruce Zwicker |
| • Music | Shawn Pierce |
| • Music Editor | Rob Betola |
| • Music Supervisor | Aideen O'Brien |
| • Costume Designer | Jeanie Kimber |
| • Key Grip | Darryl Duzak | Ross Sangster |
| • Set Decorator | Darlene Lewis |
| • Location Manager | David Hyslop |
| • Transportation Coordinator | Rodney Dominey |
| • Property Master | Jason Shurko |
| • Construction Coordinator | Jeff Beanlands |
| • Script Supervisor | Mary Louise McCloskey |
| • Production Coordinator | Adele MacDonald |
| • Post Production Supervisor | Eileen Graham | Jason Ray King |
| • Supervising Sound Editor | Allan Fung |
| • Re-Recording Mixer | Bruce Fleming | Paul Williamson (1) |
| • Gaffer | Ken Leblanc |
| • Director of Photography | Eric Cayla |
| • Stunt Coordinator | Randy Boliver |
| • Art Director | Terry Quennell |
| • Assistant Production Coordinator | John Shurko |
| • Production Management | Ginny Jones Duzak |
| • Sound Editor | Robert Ainsley |
| • Sound Mixer | Jim Rillie |
| • Based On The Works Of | Stephen King |
| • Consultant | Matt McGuinness | Todd Ulman |
| • Key Makeup Artist | Stephen Lynch (2) |
| • Main Title Theme | Andre Fratto | Leah Siegel |
| • Visual Effects Supervisor | Kris Wood |
| • Production Accountant | B.J. Dainard | Christine MacDonald |
| • Transportation Captain | Manny Taylor |
| • "A" Camera Operator | Christopher Ball |
| • Key Hairstylist | Joanne Stamp |
| • Music Composer | Shawn Pierce |
| • Executive In Charge Of Production | Tashi Bieler | Susan Alexander (2) | Peter Emerson | Martin Irusta |
| • Production Executive | Vanessa Steinmetz |
| • Unit Publicist | Anne Marie Lapointe |
| • Foley Editor | Steve Copley |
| • Colorist | Colin Moore | Robert Evans |
| • Special Effects Coordinator | Gary Coates |
| • Foley Artist | Virginia Storey |
| • Sound Effects Editor | Clive Turner |
| • Dialogue Editor | Geoff Raffin |
| • "B" Camera Operator | Patrick Doyle (3) |
| • Wardrobe Set Supervisor | Jim Worthen |
| • Still Photographer | Christopher Reardon |
| • Senior Executive Producer | John Robinson (4) | Margaret O'Brien (2) |
| • Story Coordinator | Brian Millikin (2) |
| • "a" Camera First Assistant | Eddy McInnis |
| • "a" Camera Second Assistant | Andrew Stretch |
| • "b" Camera First Assistant | Gareth Roberts (2) |
| • "b" Camera Second Assistant | Mike Snider |
| • Creative Executive | Larry Gilbert (2) |
| • 1st Assistant Editor | Cindy Fret |
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