Episode Info
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Episode number: 1x5 Airdate: Friday August 06th, 2010 Alternate Airdates:
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UK (
Main Cast
Recap
Dave and Vince Teagues are fishing on the dock when they hook their line on a dinghy. They pull it in and discover an aged corpse beneath a tarp. Nathan and Audrey are called in and discover the man is extremely old. When they learn the body was found under the tarp, they figure somebody put it there. Dave and Vince explain that the corpse has aged even since they found it. Dave shows them a sketch he did of the body proving their claim. As Nathan talks to the officer on the scene, Audrey asks them about Lucy, the woman who looks like her. They don't remember a name attached to the photo, but promise to look into it. There's no ID on the body, but there are lobsters in the boat that are least three days' dead. The harbor mistress, Beatrice Mitchell, comes by and shows off her newly adopted baby, Benny. Nathan coos over it and asks to hold it. Beatrice says that the boat was stolen from the Camden harbor. Nathan reluctantly returns Benny to his mother and Audrey notices a tattoo on the corpse. Audrey goes to see Duke at his new bar and invites Nathan along, but he refuses to go...Read the full recap
Episode Notes
Derry, the fictional town created by Stephen King for his novel It and mentioned in many other novels and stories, gets a namecheck.
Music
| Artist | Song Title | Played When |
| Spirt of the West | Dreams | |
| Sweet Talk Radio | We All Fall Down | end scenes |
Episode Quotes
David: Our grandmama could cast farther than you. Much farther.
Vince: Yeah, well, Grandmama was pretty tough, so I'll take that as a compliment.
David: Take it however you like.
Vince: Yeah, well, Grandmama was pretty tough, so I'll take that as a compliment.
David: Take it however you like.
Audrey: I don't believe it.
Nathan: It's true.
Audrey: You golf.
Nathan: Indeed I do.
Audrey: You're a golfer?
Nathan: I am. What, you don't have any hobbies?
Audrey: Yeah. Crime scenes.
Nathan: Sounds relaxing.
Audrey: Yeah, well they are to me.
Nathan: It's true.
Audrey: You golf.
Nathan: Indeed I do.
Audrey: You're a golfer?
Nathan: I am. What, you don't have any hobbies?
Audrey: Yeah. Crime scenes.
Nathan: Sounds relaxing.
Audrey: Yeah, well they are to me.
Duke: Don't you be working too hard, Officer Wournos. I heard that being a cop can destroy all evidence of having a personality.
Duke: She only had one thing on her mind, and as a general rule I don't usually turn down beautiful women with an appetite.
Nathan: You went home with her, just like that?
Duke: No, Nathan. First I passed her a note in study hall.
Nathan: You went home with her, just like that?
Duke: No, Nathan. First I passed her a note in study hall.
Nathan: We need to get him to the hospital.
Duke: Great idea, Nathan. Which department handles life-draining women?
Duke: Great idea, Nathan. Which department handles life-draining women?
Nathan: Does Beatrice still on Little Bay Road?
Duke: Contrary to popular belief, I don't know where every woman in Haven lives, Nathan.
Duke: Contrary to popular belief, I don't know where every woman in Haven lives, Nathan.
Nathan: You okay? Do you need a hand?
Duke: When you're nice to me, it reminds me that I'm dying.
Nathan: Then hurry the hell up, then.
Duke: Thank you.
Duke: When you're nice to me, it reminds me that I'm dying.
Nathan: Then hurry the hell up, then.
Duke: Thank you.
Duke: Do you really hate me?
Nathan: Hate is a strong word.
Nathan: Hate is a strong word.
Nathan: (to Duke) You're not going to die today. When you die, it's going to be because I killed you myself.
Other Episode Crew
| • Developer | Sam Ernst | Jim Dunn |
| • Executive Producer | Lloyd Segan | Laszlo Barna | David McLeod (2) | Scott Shepherd | Jim Dunn | Sam Ernst | Noreen Halpern | John Morayniss | Shawn Piller |
| • Co-Executive Producer | Adam Fratto | Jose Molina (1) |
| • Supervising Producer | Stefani Deoul |
| • Consulting Producer | Charles Ardai |
| • Production Designer | Jennifer Stewart (2) |
| • Editor | Neil Grieve |
| • Casting | Stephanie Gorin | Sheila Lane | Shawn Dawson |
| • Line Producer | Ginny Jones Duzak |
| • First Assistant Director | Mary Reynolds |
| • Second Assistant Director | Bruce Zwicker |
| • Music Editor | Rob Betola |
| • Music Supervisor | Aideen O'Brien |
| • Costume Designer | Jeanie Kimber |
| • Key Grip | Darryl Duzak | Ross Sangster |
| • Set Decorator | Darlene Lewis |
| • Location Manager | Andrew Sheridan (2) |
| • Transportation Coordinator | Rodney Dominey |
| • Property Master | Jason Shurko |
| • Construction Coordinator | Jeff Beanlands |
| • Script Supervisor | Mary Louise McCloskey |
| • Production Coordinator | Adele MacDonald |
| • Post Production Supervisor | Eileen Graham | Jason Ray King |
| • Supervising Sound Editor | Allan Fung |
| • Re-Recording Mixer | Bruce Fleming | Paul Williamson (1) |
| • Gaffer | Ken LeBlanc |
| • Director of Photography | Eric Cayla |
| • Stunt Coordinator | Randy Boliver |
| • Art Director | Terry Quennell |
| • Assistant Production Coordinator | John Shurko |
| • Production Management | Ginny Jones Duzak |
| • Sound Editor | Robert Ainsley |
| • Sound Mixer | Jim Rillie |
| • Based On The Works Of | Stephen King |
| • Consultant | Todd Ulman | Matt McGuinness |
| • Key Makeup Artist | Stephen Lynch (2) |
| • Main Title Theme | Leah Siegel | Andre Fratto |
| • Visual Effects Supervisor | Kris Wood |
| • Production Accountant | B.J. Dainard | Christine MacDonald |
| • Transportation Captain | Manny Taylor |
| • "A" Camera Operator | Christopher Ball |
| • Key Hairstylist | Joanne Stamp |
| • Music Composer | Shawn Pierce |
| • Executive In Charge Of Production | Tashi Bieler | Susan Alexander (2) | Peter Emerson | Martin Irusta |
| • Production Executive | Vanessa Steinmetz |
| • Unit Publicist | Anne Marie Lapointe |
| • Foley Editor | Steve Copley |
| • Colorist | Colin Moore | Mark Kueper | Robert Evans |
| • Special Effects Coordinator | Gary Coates |
| • Foley Artist | Virginia Storey |
| • Sound Effects Editor | Clive Turner |
| • Dialogue Editor | Geoff Raffin |
| • "B" Camera Operator | Patrick Doyle (3) |
| • Wardrobe Set Supervisor | Jim Worthen |
| • Still Photographer | Christopher Reardon |
| • Senior Executive Producer | Margaret O'Brien (2) |
| • Story Coordinator | Brian Millikin (2) |
| • "a" Camera First Assistant | Eddy McInnis |
| • "a" Camera Second Assistant | Andrew Stretch |
| • "b" Camera First Assistant | Gareth Roberts (2) |
| • "b" Camera Second Assistant | Mike Snider |
| • Creative Executive | Larry Gilbert (2) |
| • 1st Assistant Editor | Cindy Fret |
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