Episode Info
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Episode number: 1x10 Airdate: Friday September 17th, 2010 Alternate Airdates:
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UK (
FI (YLE TV2)
Recap
Audrey accompanies Duke to Haven High School. He wants to introduce her to his babysitter, Vanessa Stanley, on the day the Colorado Kid photo was taken. He suggests that things should be left in the past, and Audrey takes offense at the fact that he didn't tell her he was in the picture 27 years ago. Duke admits it was unfair, and agrees to get Vanessa to talk to Audrey. However, he warns her that he doesn't remember anything from the day the photo was taken. When they get to Vanessa's office, Duke is stunned at how attractive Vanessa is now. Audrey asks her about the photo and Vanessa explains that she doesn't remember the events of that day either. Afterward, Duke offers to help Audrey find the photographer who took the photo...Read the full recap
Music
| Artist | Song Title | Played When |
| Lindsay Price | Melting | |
| The Woods | She's Gone |
Episode Quotes
Duke: For the record, this place gives me the heebie-jeebies.
Audrey: Huh. I had you pegged as one of the cool kids
Duke: For the record, nobody was cool in high school. Not even me.
Audrey: Huh. I had you pegged as one of the cool kids
Duke: For the record, nobody was cool in high school. Not even me.
Audrey: Maybe I had my expectations up too high.
Duke: Buddha says, "Expectations lead to suffering."
Audrey: So does quoting the Buddha at me.
Duke: Buddha says, "Expectations lead to suffering."
Audrey: So does quoting the Buddha at me.
Nathan: Parker, you don't need to be on the clock 24-7. Go.
Duke: Wow. Nathan Wournos being magnanimous is a rare and beautiful...
Nathan: Please, take him and go.
Audrey: All right. Great. Thank you.
Duke: I was giving you a compliment. I'd just saying, that was legitimate, from the heart.
Audrey: Come on.
Duke: Wow. Nathan Wournos being magnanimous is a rare and beautiful...
Nathan: Please, take him and go.
Audrey: All right. Great. Thank you.
Duke: I was giving you a compliment. I'd just saying, that was legitimate, from the heart.
Audrey: Come on.
Duke: I don't remember any of it.
Morris Crane: Well, hell, why would you want to? I can't forget it. They came out of the water, three, four at a time.
Audrey: Who did?
Morris Crane: The guys with the... with the, the little things on their hands.
Audrey: You mean claws.
Morris Crane: Yeah, like-like a lobster. They were clicking back and forth at each other. Some kind of language--I couldn't quite make out what they were saying.
Duke: Crazy, table for one.
Morris Crane: Well, hell, why would you want to? I can't forget it. They came out of the water, three, four at a time.
Audrey: Who did?
Morris Crane: The guys with the... with the, the little things on their hands.
Audrey: You mean claws.
Morris Crane: Yeah, like-like a lobster. They were clicking back and forth at each other. Some kind of language--I couldn't quite make out what they were saying.
Duke: Crazy, table for one.
Audrey: Are you okay?
Nathan: Yeah, just, uh... just the smell got to me.
Audrey: Right... your sensitive nose.
Nathan: Yeah, just, uh... just the smell got to me.
Audrey: Right... your sensitive nose.
Nathan: Kind of busy here, Duke.
Duke: You say that as if I come here looking for you ever.
Duke: You say that as if I come here looking for you ever.
Vanessa Stanley: So you're a smuggler?
Duke: Well... it's true... I've had several encounters with various law-enforcement entities, but I'm an importer.
Vanessa Stanley: Hmm. Importing illegal goods?
Nathan: Well, everything is illegal somewhere.
Duke: Well... it's true... I've had several encounters with various law-enforcement entities, but I'm an importer.
Vanessa Stanley: Hmm. Importing illegal goods?
Nathan: Well, everything is illegal somewhere.
Duke: A hit list? Vanessa? You did meet her, right.
Audrey: Well...
Nathan: You knew her, what, 27 years ago? Your babysitter. You know, people change.
Duke: You didn't.
Audrey: Well...
Nathan: You knew her, what, 27 years ago? Your babysitter. You know, people change.
Duke: You didn't.
Nathan: Let's say a guy like me, who can't feel anything, meet a woman and discovers he can feel her touch. That sounds... seems like fate, doesn't it?
Nathan: Let's split up. Duke, come with me. You're tall and loud.
Duke: That was almost a compliment.
Duke: That was almost a compliment.
Other Episode Crew
| • Developer | Jim Dunn | Sam Ernst |
| • Executive Producer | Lloyd Segan | Laszlo Barna | David McLeod (2) | Scott Shepherd | Jim Dunn | Sam Ernst | Noreen Halpern | Shawn Piller | John Morayniss |
| • Co-Executive Producer | Adam Fratto | Jose Molina (1) |
| • Supervising Producer | Stefani Deoul |
| • Consulting Producer | Charles Ardai |
| • Production Designer | Jennifer Stewart (2) |
| • Editor | Cindy Fret |
| • Casting | Stephanie Gorin | Sheila Lane | Shawn Dawson |
| • Line Producer | Ginny Jones Duzak |
| • First Assistant Director | Derek Filiatrault |
| • Second Assistant Director | Bruce Zwicker |
| • Music Editor | Rob Betola |
| • Music Supervisor | Aideen O'Brien |
| • Costume Designer | Jeanie Kimber |
| • Key Grip | Darryl Duzak |
| • Set Decorator | Darlene Lewis |
| • Location Manager | David Hyslop |
| • Transportation Coordinator | Rodney Dominey |
| • Property Master | Jason Shurko |
| • Construction Coordinator | Jeff Beanlands |
| • Script Supervisor | Mary Louise McCloskey |
| • Production Coordinator | Adele MacDonald |
| • Post Production Supervisor | Eileen Graham | Jason Ray King |
| • Supervising Sound Editor | Allan Fung |
| • Re-Recording Mixer | Bruce Fleming | Paul Williamson (1) |
| • Gaffer | Ken LeBlanc |
| • Director of Photography | Eric Cayla |
| • Stunt Coordinator | Randy Boliver |
| • Art Director | Terry Quennell |
| • Assistant Production Coordinator | Rachel Filiatrault |
| • Production Management | Ginny Jones Duzak |
| • Sound Editor | Robert Ainsley |
| • Sound Mixer | Jim Rillie |
| • Based On The Works Of | Stephen King |
| • Consultant | Todd Ulman | Matt McGuinness |
| • Key Makeup Artist | Stephen Lynch (2) |
| • Main Title Theme | Leah Siegel | Andre Fratto |
| • Visual Effects Supervisor | Kris Wood |
| • Production Accountant | B.J. Dainard | Christine MacDonald |
| • Transportation Captain | Manny Taylor |
| • "A" Camera Operator | Christopher Ball |
| • Key Hairstylist | Joanne Stamp |
| • Music Composer | Shawn Pierce |
| • Executive In Charge Of Production | Tashi Bieler | Susan Alexander (2) | Peter Emerson | Martin Irusta |
| • Production Executive | Vanessa Steinmetz |
| • Unit Publicist | Anne Marie Lapointe |
| • Foley Editor | Steve Copley |
| • Colorist | Robert Evans | Mark Kueper |
| • Special Effects Coordinator | Gary Coates |
| • Foley Artist | Virginia Storey |
| • Sound Effects Editor | Clive Turner |
| • Dialogue Editor | Geoff Raffin |
| • "B" Camera Operator | Patrick Doyle (3) |
| • Wardrobe Set Supervisor | Jim Worthen |
| • Still Photographer | Christopher Reardon |
| • Senior Executive Producer | Margaret O'Brien (2) |
| • Story Coordinator | Brian Millikin (2) |
| • "a" Camera First Assistant | Eddy McInnis |
| • "a" Camera Second Assistant | Andrew Stretch |
| • Background Casting | Justin Lee (2) |
| • "b" Camera First Assistant | Gareth Roberts (2) |
| • "b" Camera Second Assistant | Mike Snider |
| • Creative Executive | Larry Gilbert (2) |
| • 1st Assistant Editor | Sarah Zeitlin |
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