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Haven: Audrey Parker's Day Off
Audrey discovers that the same five hours keep repeating over and over... and each time before resetting, someone close to her dies in a car accident.
| 8.6/10 (9 Votes cast) |
Episode Info
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Episode number: 2x6 Airdate: Friday August 19th, 2011 Alternate Airdates:
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CA (
UK (
Co-Guest Stars
Recap
At 7:34 in the morning, Chris kisses Audrey as she lies in bed and she pints out that it’s her day off and they were going to slip in. Chris says that he made surprise plans and Audrey says that she has one piece of official business and then she’s all his. As they leave, Duke is drawing a Taco Tuesday sign. When he spots Audrey, he yells at her to pay the rent but she keeps on driving so he doesn’t see Chris...Read the full recap
Music
| Artist | Song Title | Played When |
| Sweet Talk Radio | Will You Still Love Me Tomorrow | end scenes |
Episode Quotes
Chris Brody: Career Day. That's your official police business? What, you lose a bet to Nathan?
Audrey: Rock-paper-scissors.
Audrey: Rock-paper-scissors.
Audrey: How about we move to questions. Does anybody have any questions? Ahh, yeah.
Young Girl: Is that a real gun?
Audrey: Yeah, it is a real gun.
Young Girl: Can I shoot it?
Audrey: No, you cannot shoot it.
Young Girl: Is that a real gun?
Audrey: Yeah, it is a real gun.
Young Girl: Can I shoot it?
Audrey: No, you cannot shoot it.
Audrey: I especially loved the part where you went on for a half an hour about the endangered tidewater mucket.
Chris Brody: If they're going to blindly love me, at least they're going to learn something.
Chris Brody: If they're going to blindly love me, at least they're going to learn something.
Duke: Chris Brody? What are you... you and Parker?
Audrey: Yeah.
Duke: I got to tell you, I mean, I'm--I'm just honored that you would choose my place of business to... express yourselves physically. I mean, love happens. Here. You're staying for waffles.
Audrey: Yeah.
Duke: I got to tell you, I mean, I'm--I'm just honored that you would choose my place of business to... express yourselves physically. I mean, love happens. Here. You're staying for waffles.
Audrey: Wait. He left?
Duke: Hey, I tried to stop him, okay. I begged. I--I think I even said the words, "I need you." And I actually feel kind of awkward about it now.
Duke: Hey, I tried to stop him, okay. I begged. I--I think I even said the words, "I need you." And I actually feel kind of awkward about it now.
Duke: Love that Chris. What a guy. <em>(pause)</em> What?
Nathan: Chris is Troubled. You don't look at him, you don't get all man-crush.
Duke: No way. Oh! Wow. Now you tell me?
Nathan: Hey, no judgments. He's a handsome guy.
Duke: Yeah. Yeah, shut up.
Nathan: Chris is Troubled. You don't look at him, you don't get all man-crush.
Duke: No way. Oh! Wow. Now you tell me?
Nathan: Hey, no judgments. He's a handsome guy.
Duke: Yeah. Yeah, shut up.
Episode Goofs
Audrey's license plate changes between the first sequence and the second. The first time it reads 6516 NU. The second time it reads 1924 RZ.
Cultural References
Nathan: You’re stuck in my second-favorite Bill Murray movie.
Groundhog Day (1993) features Bill Murray as a weather reporter trapped in a town where February 2 keeps repeating over and over for him, and he's the only one aware of it.
Groundhog Day (1993) features Bill Murray as a weather reporter trapped in a town where February 2 keeps repeating over and over for him, and he's the only one aware of it.
Other Episode Crew
| • Developer | Jim Dunn (1) | Sam Ernst |
| • Executive Producer | Lloyd Segan | Matt McGuinness | David McLeod (2) | Scott Shepherd | Jim Dunn (1) | Sam Ernst | John Morayniss | Noreen Halpern | Shawn Piller |
| • Co-Executive Producer | Adam Fratto |
| • Supervising Producer | Stefani Deoul | Jonathan Abrahams |
| • Consulting Producer | Gabrielle Stanton | Charles Ardai |
| • Production Designer | Jennifer Stewart (2) |
| • Editor | Neil Grieve |
| • Casting | Stephanie Gorin | Sheila Lane | Shawn Dawson |
| • Line Producer | Ginny Jones Duzak |
| • Music | Shawn Pierce |
| • Music Editor | Rob Betola |
| • Music Supervisor | Amy Fritz |
| • Costume Designer | Antoinette Messam |
| • Key Grip | Darryl Duzak |
| • Set Decorator | Darlene Lewis |
| • Transportation Coordinator | Rodney Dominey |
| • Property Master | Jason Shurko |
| • Construction Coordinator | Jeff Beanlands |
| • Script Supervisor | Joanne Hagen |
| • Production Coordinator | Adele MacDonald |
| • Script Coordinator | Brian Millikin (2) |
| • Post Production Supervisor | Eileen Graham | Jason Ray King |
| • Supervising Sound Editor | Allan Fung |
| • Re-Recording Mixer | Alfie Dipucchio | Paul Williamson (1) |
| • Gaffer | Jordan Schella |
| • Director of Photography | Eric Cayla |
| • Story Editor | Nora Zuckerman | Lilla Zuckerman |
| • Stunt Coordinator | Randy Boliver |
| • Art Director | Terry Quennell |
| • Assistant Production Coordinator | Rachel Filiatrault |
| • Post Production Coordinator | Jason Ray King |
| • Production Management | Ginny Jones Duzak |
| • Sound Mixer | Jim Rillie |
| • Based On The Works Of | Stephen King |
| • Consultant | Todd Ulman |
| • Key Makeup Artist | Stephen Lynch (2) |
| • Main Title Theme | Andre Fratto | Leah Siegel |
| • Visual Effects Supervisor | Kris Wood |
| • Production Accountant | Janice Sheridan |
| • Transportation Captain | Michelle Maceachern |
| • "A" Camera Operator | Christopher Ball |
| • Key Hairstylist | Joanne Stamp |
| • Executive In Charge Of Production | Tashi Bieler | Susan Alexander (2) | Peter Emerson |
| • Colorist | Robert Evans | Mark Kueper |
| • Special Effects Coordinator | Gary Coates |
| • Foley Artist | Virginia Storey |
| • Sound Effects Editor | Clive Turner |
| • Dialogue Editor | Robert Ainsley |
| • "B" Camera Operator | Patrick Doyle (3) |
| • Still Photographer | Mike Tompkins |
| • Senior Executive Producer | Vanessa Steinmetz |
| • Set Supervisor | Melinda Cook (2) |
| • "a" Camera First Assistant | Eddy McInnis |
| • "a" Camera Second Assistant | Andrew Stretch |
| • "b" Camera First Assistant | Gareth Roberts (2) |
| • "b" Camera Second Assistant | Mike Snider |
| • Creative Executive | Larry Gilbert (2) |
| • 2nd 2nd Assistant Director | Keith White (2) |
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