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Haven: Friend or Faux
A straight-laced banker hides a double life... literally. Meanwhile, Driscoll continues his plan to remove Nathan from office and Duke helps a runaway.
| 7.9/10 (11 Votes cast) |
Episode Info
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Episode number: 2x8 Airdate: Friday September 02nd, 2011 Alternate Airdates:
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CA (
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Recap
Banker Cornell Stamoran wakes up in the morning, goes to the bathroom, and his identical “brother” comes out. Cornell looks himself in the mirror, showers, and then dresses and goes downstairs. His brother has made breakfast already and Cornell looks at the mess that he made of the kitchen. The brother says that he thinks he’s found what they’re looking for. Cornell gets his briefcase, takes out a gun, and shoots his brother repeatedly in the head. As Cornell gets into his car, his brother rises up out of the backseat and puts a gun to the banker’s head and tells him to get out of the car because there’s someone that he needs to kill...Read the full recap
Episode Quotes
Audrey: Okay, so who'd you piss off this time?
Duke: Maybe he pissed me off. Is that a possibility?
Audrey: Yeah, it's least likely.
Duke: Maybe he pissed me off. Is that a possibility?
Audrey: Yeah, it's least likely.
Audrey: Duke, you're not telling me everything.
Duke: I am secretly afraid of bananas. I've never been windsurfing naked, and deep down in my heart, I know that Bigfoot is real.
Audrey: Hi, Nathan. All you've missed is Duke not telling me everything.
Duke: I take offense to that.
Nathan: Sorry I missed it.
Duke: I am secretly afraid of bananas. I've never been windsurfing naked, and deep down in my heart, I know that Bigfoot is real.
Audrey: Hi, Nathan. All you've missed is Duke not telling me everything.
Duke: I take offense to that.
Nathan: Sorry I missed it.
Audrey: Oh, great, there's a Henry he hasn't told us about. Fantastic.
Nathan: It's Duke, what'd you expect?
Nathan: It's Duke, what'd you expect?
Audrey: So was it Henry you were lying about at the Gull?
Duke: You know, lying is such an ugly word. But yeah, I lied.
Duke: You know, lying is such an ugly word. But yeah, I lied.
Duke: I promised the kid I wouldn't go to the cops.
Audrey: Somebody's trying to kill a kid and you promised him you wouldn't go to the cops? Seriously?
Duke: All right, I see your point.
Audrey: Somebody's trying to kill a kid and you promised him you wouldn't go to the cops? Seriously?
Duke: All right, I see your point.
Cornell Stamoran/Copy: He's so easy to imitate, you know. I just do me and take out the cool parts.
Audrey: So how does all of this work? You know what's in his head?
Cornell Stamoran/Copy: I have all of his memories, but the balls are mine.
Audrey: So how does all of this work? You know what's in his head?
Cornell Stamoran/Copy: I have all of his memories, but the balls are mine.
Cornell Stamoran/Copy: So the whole talk was really just to distract me?
Audrey: At the beginning, yeah. But then... no.
Cornell Stamoran/Copy: When I kill you, eventually, I'm not going to be happy about it. But it's not going to stop me.
Audrey: At the beginning, yeah. But then... no.
Cornell Stamoran/Copy: When I kill you, eventually, I'm not going to be happy about it. But it's not going to stop me.
Nathan: We're lost.
Cornell Stamoran: I would feel better with a gun.
Nathan: Well, that makes one of us.
Cornell Stamoran: I would feel better with a gun.
Nathan: Well, that makes one of us.
Nathan: You meet me in the atrium.
Audrey: Copy that.
Nathan: Don't say "copy."
Audrey: Copy that.
Nathan: Don't say "copy."
Audrey: Haven PD is on their way. Give us Nathan and we'll be gone, giving you time to get away.
Duke: Umm, just so you know, nobody, myself included, buys it when cops say that.
Duke: Umm, just so you know, nobody, myself included, buys it when cops say that.
Duke: Well, I guess that answers that. Nathan definitely has a copy.
Audrey: Yeah.
Duke: Yeah.
Audrey: And this one still can't dance.
Audrey: Yeah.
Duke: Yeah.
Audrey: And this one still can't dance.
Episode Goofs
When Audrey disarms the clone and handcuffs him to a pipe, initially its hand is much lower to the ground. But in the next shot, his hand and the handcuff jump up several feet.
Other Episode Crew
| • Developer | Jim Dunn (1) | Sam Ernst |
| • Executive Producer | Lloyd Segan | Matt McGuinness | David McLeod (2) | Scott Shepherd | Jim Dunn (1) | Sam Ernst | Shawn Piller | John Morayniss | Noreen Halpern |
| • Co-Executive Producer | Adam Fratto |
| • Supervising Producer | Jonathan Abrahams | Stefani Deoul |
| • Consulting Producer | Charles Ardai | Gabrielle Stanton |
| • Production Designer | Jennifer Stewart (2) |
| • Editor | Neil Grieve |
| • Casting | Stephanie Gorin | Sheila Lane | Shawn Dawson |
| • Line Producer | Ginny Jones Duzak |
| • First Assistant Director | Derek Filiatrault |
| • Second Assistant Director | Bruce Zwicker |
| • Music | Shawn Pierce |
| • Music Editor | Rob Betola |
| • Music Supervisor | Amy Fritz |
| • Costume Designer | Antoinette Messam |
| • Key Grip | Darryl Duzak | Ross Sangster |
| • Set Decorator | Darlene Lewis |
| • Location Manager | David Hyslop |
| • Transportation Coordinator | Rodney Dominey |
| • Property Master | Jason Shurko |
| • Construction Coordinator | Jeff Beanlands |
| • Script Supervisor | Joanne Hagen |
| • Production Coordinator | Adele MacDonald |
| • Script Coordinator | Brian Millikin (2) |
| • Post Production Supervisor | Eileen Graham | Jason Ray King |
| • Supervising Sound Editor | Allan Fung |
| • Re-Recording Mixer | Paul Williamson (1) | Alfie Dipucchio |
| • Gaffer | Jordan Schella |
| • Director of Photography | Eric Cayla |
| • Story Editor | Lilla Zuckerman | Nora Zuckerman |
| • Stunt Coordinator | Randy Boliver |
| • Art Director | Terry Quennell |
| • Assistant Production Coordinator | Rachel Filiatrault |
| • Post Production Coordinator | Jason Ray King |
| • Production Management | Ginny Jones Duzak |
| • Sound Mixer | Jim Rillie |
| • Based On The Works Of | Stephen King |
| • Consultant | Todd Ulman |
| • Key Makeup Artist | Stephen Lynch (2) |
| • Main Title Theme | Leah Siegel | Andre Fratto |
| • Visual Effects Supervisor | Kris Wood |
| • Production Accountant | Janice Sheridan |
| • Transportation Captain | Michelle Maceachern |
| • "A" Camera Operator | Christopher Ball |
| • Key Hairstylist | Joanne Stamp |
| • Executive In Charge Of Production | Tashi Bieler | Susan Alexander (2) | Peter Emerson | Martin Irusta |
| • Colorist | Robert Evans | Mark Kueper |
| • Special Effects Coordinator | Gary Coates |
| • Foley Artist | Virginia Storey |
| • Sound Effects Editor | Clive Turner |
| • First Assistant Art Director | Matt Likely |
| • Dialogue Editor | Robert Ainsley |
| • "B" Camera Operator | Patrick Doyle (3) |
| • Still Photographer | Mike Tompkins |
| • Senior Executive Producer | Vanessa Steinmetz | Dina Appleton | Jeff Lynas | John Robinson (4) | Margaret O'Brien (2) |
| • Set Supervisor | Melinda Cook (2) |
| • 1st Assistant Director | Keith White (2) |
| • "a" Camera First Assistant | Eddy McInnis |
| • "a" Camera Second Assistant | Andrew Stretch |
| • "b" Camera First Assistant | Gareth Roberts (2) |
| • "b" Camera Second Assistant | Mike Snider |
| • Creative Executive | Larry Gilbert (2) |
| • 1st Assistant Editor | Travis Finstein |
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