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Heroes :: Don't Look Back (01x02)
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Episode Information |
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| Title: | Don't Look Back |
| Episode #: | 01x02 |
| Production Number: | 102 |
| Original Airdate: | Monday October 02nd, 2006 |
*Also Known As: - Kein Blick zurĂĽck (
Germany [RTL 2]) - Älä katso taaksepäin (
Finland [MTV3])
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| | Other Release Dates: (Edit) | | Country: | Aired On: | |
AU (Seven) |
Feb 07, 2007 |
UK (BBC THREE) |
Feb 19, 2007 |
BE (VT4) |
Mar 05, 2007 |
NL (RTL 5) |
Jun 28, 2007 |
DE (RTL 2) |
Oct 10, 2007 |
FI (MTV3) |
Oct 24, 2007 |
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Episode Summary |
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Hiro travels to New York while Peter and Nathan talk about Peter's fall. Claire's ability is at risk to be revealed to the entire school when she finds that the tape of her injury attempt is missing. Niki finds the dead thugs in her garage, but has no memory of the incident, leading her to think that she's going crazy. Meanwhile, policeman Matt Parkman realizes he can hear people's thoughts.
| Summary Available In: English | German | Swedish | | English Recap Available: View Here |
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Guest Stars |
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Main Cast |
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Episode Notes |
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Ratings: 12.57 million viewers. | The date on Hiro's watch while he is at the police station is October 2, which is the day that this episode aired. | Symbols: The symbol can be seen on the paintings in Isaac's studio; on the laptop screen and on a post-it note on Mohinder's map; and in the pool when the scene cuts to Matt. | When Hiro buys the comic book, he pays with a 1000 yen note. This translates into approximately $8.48 American. As the newsstand price for comics is usually about $4.50, the vendor actually got more than his money's worth. | According to Hiro's 9th Wonders!, Isaac's address is 215 Reed St. #7, New York, New York, 10010. |
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Featured Songs |
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| Artist | Song Title | Played When | | •Panjabi MC | Jatt Ho Giya Sharabee | | | •Rogue Wave | Eyes | |
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Episode Quotes |
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Mohinder: (opening voiceover) We all imagine ourselves the agents of our destiny. Capable of determining our own fate. But have we truly any choice in when we rise or when we fall? Does a force larger than ourselves bid us our direction? Is it evolution that takes us by the hand? Does science point our way? Or is it God who intervenes? Keeping us safe. | Nathan: I what?
Peter: You flew up and you caught me.
Nathan: You jumped... Peter. Twenty five feet to a fire escape. I climbed up and carried you down, that's what happened. The rest is just crazy talk. You understand? | Claire: Dad, mind if I talk to you about something?
Bennet: You're pregnant?
Claire: What?! No!
Bennet: Doing drugs?
Claire: Dad! | Bennet: I don't mean this to be condescending -- even though you're gonna say I'm being condescending -- but I really do believe this is an adult decision.
Claire: Yeah, you're right. That is condescending. | Bennet: (to Claire) I just don't want you to be in such a hurry to grow up, okay? Trust me... I actually know a few things. | Bennet: Here's my advice, if you'll indulge me: just keep things light and fun as long as you can, like cheerleading.
Claire: Being a cheerleader is hard work: hard, treacherous work. | Jumpsuit: He is paranoid! I was just in there spraying bugs in his apartment, he came in and he freaked out!
Eden: If you're the exterminator, why do you have a gun holster? | Eden: He told me he was being watched. I thought he was just eccentric.
Mohinder: I like that you didn’t use the word “paranoid.” | Angela Petrelli: (to Peter) You were always my favorite. I cannot lose you. | Peter: Tell me what happened, Nathan. When I jumped. Tell me you flew. I want to hear you say, that you flew. Tell me or I jump again. Good luck on your campaign when I'm splattered all over the ground below.
Nathan: All right! You want the truth? (Peter nods) We both flew. | Detective Furokawa: He says he teleported himself here.
Detective: Teleported? What the hell is that?
Hiro: Like Star Trek!
Detective Furokawa: He says he can bend the space-time continuum.
Detective: Funny, I've seen all the Star Treks. I don't remember you from the show.
(Hiro does a Vulcan salute) | Mohinder: (closing voiceover) For all his bluster, it is the sad problems of man that he cannot choose his triumph. He can only choose how he will stand when the call of destiny comes, hoping that he'll have the courage to answer. |
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Episode Goofs |
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Detective Furokawa: He says he teleported himself here.
Detective: Teleported? What the hell is that?
Hiro: Like Star Trek!
Detective Furokawa: He says he can bend the space-time continuum.
Detective: Funny, I've seen all the Star Treks. I don't remember you from the show.
The detective claims to have seen all the Star Treks yet he did not know what teleporting was. Teleporting is regularly used on all the Star Trek shows/movies therefore he is contradicting himself as he should've known. | Hiro is a member of the Merry Marvel Marching Society. However, this society was discontinued in the 1970s. | The item found in the lizard tank is not a "portable hard drive," it is a portable USB flash drive. | The address on Niki's Cadillac registration is 37 Parker St., yet the street number on the curb in front of Niki's home is 9734. | During the scenes of Matt Parkman at the house, you can tell that some of the scenes are ones re-used from the un-aired pilot. You'll notice in some shots his hair is longer and styled different than in others, where it is noticeably shorter. |
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Analysis |
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Abilities Development
Hiro Nakamura: Hiro can teleport himself into the future and back, as well as to other locations.
Matt Parkman: Matt read people's minds and hear their thoughts.
Niki Sanders: Niki has a separate personality, as made evident by her finding bodies in her garage, but having no recollection of how or why they got there.
Peter Petrelli: Peter has a power when he is near to someone with a power. In "Genesis", Peter was able to fly because he was near Nathan as he flew, and during this episode, Peter draws a picture of the future after being around Isaac.
Sylar: Abilities are unknown as of this episode, but he is believed to be "patient zero" according to Chandra Suresh. |
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Other Episode Crew |
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Cultural References |
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Episode References |
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