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A young girl on a dive brings up a jar from a sunken slave ship and breaks it, infecting herself with what appears to be smallpox. When House and his team confirm her illness, they call in the CDC, which puts the hospital under quarantine. However, House soon realizes that the girl has something else... but the only way to confirm his diagnosis is to expose himself to the disease. Meanwhile, Wilson and his ex-wife Sam try to tend to a young girl awaiting chemotherapy whose mother is trapped outside by the quarantine.
Episode Info
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Episode number: 7x7 Production Number: HOU-707 Airdate: Monday November 15th, 2010 Alternate Airdates:
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UK (
NL (
Main Cast
Recap
Slaves aboard a Dutch cargo ship in the late 19th century grow steadily more ill. The crew anchors the ship outside of harbor, and have a doctor come aboard to examine the slaves and confirm that the crew is fine. The ship's crew then starts tossing the ailing slaves over the side. A father asks his friend to serve as father to his son as the Dutch sailors come to take him. However, the local town opens fire, sinking the ship and everyone aboard it...Read the full recap
Music
| Artist | Song Title | Played When |
| The Black Ryder | All That We See |
Episode Quotes
Dr. House: Why aren't you guys in my office?
Dr. Foreman: Why are you in the building? It's eight in the morning.
Dr. House: Where's Chase?
Dr. Taub: He's not here because it's eight in the morning.
Dr. Foreman: Why are you in the building? It's eight in the morning.
Dr. House: Where's Chase?
Dr. Taub: He's not here because it's eight in the morning.
Martha Masters: Smallpox was eradicated over 30 years ago.
Dr. House: So were hush puppies. Have you checked out your local hipster coffee shop lately?
Dr. House: So were hush puppies. Have you checked out your local hipster coffee shop lately?
Dr. Taub: The virus can't survive over 200 years.
Dr. House: You have.
Dr. House: You have.
Geerte: Oh, yes. My names is Geerte. Are you handsome, sexiest American man?
Dr. House: You know, some people--I would say that I am, yeah.
Dr. House: You know, some people--I would say that I am, yeah.
Dr. House: I want you to translate something for me.
Geerte: Why do you want I translate? I do topless, toys, and...
Martha Masters: Just do the translation.
Dr. House: She can translate however she feels most comfortable.
Geerte: Whatever. You put in credit card.
Dr. Taub: House, the hospital has translators on call.
Dr. House: Shut up...
Geerte: Why do you want I translate? I do topless, toys, and...
Martha Masters: Just do the translation.
Dr. House: She can translate however she feels most comfortable.
Geerte: Whatever. You put in credit card.
Dr. Taub: House, the hospital has translators on call.
Dr. House: Shut up...
Martha Masters: Scrofula. That's what they called cervical T.B. lymphadenitis in the 1700s.
Dr. House: Scrofulicous. That's what they called "annoying" in the 1700s.
Dr. House: Scrofulicous. That's what they called "annoying" in the 1700s.
Dr. Chase: You just tried this. I'm not a better liar than Foreman.
Dr. House: Sure you are. You're descended from convicts.
Dr. House: Sure you are. You're descended from convicts.
Martha Masters: You don't trust me.
Dr. House: Going behind your back works better when you're not facing us.
Dr. House: Going behind your back works better when you're not facing us.
Martha Masters: So I guess honesty is the best policy.
Dr. House: Why'd you say that? Seriously... to establish your viewpoint as if I didn't already know it. Or to demonstrate some weird cross-generational female solidarity with Cuddy?
Martha Masters: Actually, I was just trying to fill the awkward silence.
Dr. House: Oh.
Dr. House: Why'd you say that? Seriously... to establish your viewpoint as if I didn't already know it. Or to demonstrate some weird cross-generational female solidarity with Cuddy?
Martha Masters: Actually, I was just trying to fill the awkward silence.
Dr. House: Oh.
Martha Masters: Julie doesn't have smallpox.
Dr. House: Did I just dream the part where I finally agreed it was smallpox? Well, if what I thought was reality was actually a dream, then the reverse... oh, my God, I had a threesome with Beyonce and Lady Gaga.
Dr. House: Did I just dream the part where I finally agreed it was smallpox? Well, if what I thought was reality was actually a dream, then the reverse... oh, my God, I had a threesome with Beyonce and Lady Gaga.
Cultural References
Dr. House: Are you a Stepford doctor?
The Stepford Wives was a 1975 movie about the men of a small town who come up with a way to turn their wives into obedient sex robots.
The Stepford Wives was a 1975 movie about the men of a small town who come up with a way to turn their wives into obedient sex robots.
Dr. House: Look, I don't want to go all Godfather on you. This was business.
In the movie The Godfather (1972), Tom Hagen tells Sonny Corleone "This is business, not personal."
In the movie The Godfather (1972), Tom Hagen tells Sonny Corleone "This is business, not personal."
Dr. Chase: Your Jedi mind tricks won't work here.
Dr. House: These aren't the droids you're looking for.
The Jedi are the mystic knights of the Star Wars universe, with the ability to control and distract the minds of weak-willed individuals. House's line is from the first movie in the series: Star Wars IV: A New Hope.
Dr. House: These aren't the droids you're looking for.
The Jedi are the mystic knights of the Star Wars universe, with the ability to control and distract the minds of weak-willed individuals. House's line is from the first movie in the series: Star Wars IV: A New Hope.
Other Episode Crew
| • Creator | David Shore |
| • Executive Producer | Bryan Singer | Katie Jacobs | David Shore | Greg Yaitanes | Hugh Laurie | Paul Attanasio | Thomas L. Moran | Russel Friend | Garrett Lerner |
| • Co-Executive Producer | David Foster | Liz Friedman | Eli Attie | Peter Blake (2) | Gerrit Van Der Meer |
| • Supervising Producer | John C. Kelley | Sara Hess | David Hoselton |
| • Producer | Lindsey Jaffin | Marcy G. Kaplan |
| • Co-Producer | Seth Hoffman | Allen Marshall Palmer | Katherine Lingenfelter |
| • Consulting Producer | Lawrence Kaplow (1) |
| • Associate Producer | Julie Hrebec |
| • Production Designer | Jeremy Cassells |
| • Editor | Chris Brookshire |
| • Casting | Stephanie Laffin | Amy Lippens |
| • Unit Production Manager | Gerrit Van Der Meer |
| • First Assistant Director | Kevin Williams (2) |
| • Second Assistant Director | Vince Duque |
| • Music | Jon Ehrlich | Jason Derlatka |
| • Music Editor | Michael Baber |
| • Music Supervisor | Lynn Grossman | Gary Calamar |
| • Costume Designer | Cathy Crandall |
| • Key Grip | Lloyd Barcroft |
| • Camera Operator | Anthony Gaudioz | Rob Carlson (3) |
| • Set Decorator | Amy Wells |
| • Location Manager | Nancy Haecker |
| • Transportation Coordinator | Steve De Leon |
| • Property Master | Tyler Patton |
| • Construction Coordinator | Stephen Howard |
| • Production Sound Mixer | Von Varga |
| • Script Supervisor | Ira Hurvitz |
| • Production Coordinator | Jamie Feldman |
| • Script Coordinator | Dustin Paddock | Anne Toole |
| • Assistant Editor | Michael Zurer |
| • Supervising Sound Editor | Brad North |
| • Re-Recording Mixer | Joe DeAngelis |
| • Leadman | Keith Sale |
| • Director of Photography | Gale Tattersall |
| • Art Director | Natalie Weinmann |
| • Post Production Coordinator | Daphne Raves |
| • Costume Supervisor | Amy Dodson |
| • Key Makeup Artist | Karen Dahl |
| • Main Title Theme | Massive Attack |
| • Visual Effects Supervisor | Elan Soltes |
| • Production Accountant | Jon Cohoe |
| • Chief Lighting Technician | Monty Woodard |
| • Department Head Hair | Lori Rozman |
| • Researcher | Erica Spates |
| • Casting Associate | Janelle Scuderi |
| • Medical Technical Advisor | Harley Liker | John Sotos | Lisa Sanders |
| • Key Hairstylist | Wendy Southard |
| • Department Head Make-up | Marianna Elias |
| • Assistant To The Executive Producer | Jessica Young (2) | David Wong (3) | Danny Weiss | Lindsay Zappala | James S. Conway |
| • Assistant Property Master | Mark Jameson (2) |
| • Assistant Accountant | Barbara Pullan |
| • Department Head Special Makeup Effects | Dalia Dokter |
| • Video Coordinator | Mark L. Marcum |
| • Video Operator | Steve Galloway (2) |
| • Publicity Manager | Geoffrey Colo |
| • Final Colorist | Keith Shaw (2) |
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