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Thirteen's female lover has a seizure after a night of partying and she takes the woman to the hospital. It turns out the woman has a long-standing medical condition and slept with Thirteen to get House to see her. Meanwhile, Foreman confronts Thirteen about her destructive lifestyle and House continues to have Lucas spy on Wilson.
Episode Info
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Episode number: 5x5 Production Number: HOU-505 Airdate: Tuesday October 21st, 2008 Alternate Airdates:
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NL (
UK (
Co-Guest Stars
Main Cast
Recap
Thirteen brings a woman, Spencer, home to her apartment for sex. Afterward, Thirteen goes to the bathroom and hears a noise. Turning, she sees her bedmate fall to floor in convulsions. She calls the EMTs, who get her to the ER room where Cameron takes a look Thirteen admits she doesn’t know the woman’s name. Cameron goes to show House the case but he’s busy playing a welcome-back practical joke on Wilson, who doesn’t laugh. He seems distracted, noting he had a breakfast but eating a donut...Read the full recap
Music
| Artist | Song Title | Played When |
| Annie Lennox | Dark Road | end montage |
| Joseph Arthur | Could We Survive | as Thirteen and Spencer kiss |
| The Kills | Cheap and Cheerful | opening makeout scene |
Episode Quotes
Dr. House: Oh yeah. Penthouse Forum meets medical mystery. Maybe there is a God.
Dr. Hadley: Retinal vein occlusion was fixed. Her doctor said it was a venous anomaly
Dr. House: Is he in this room? Because if he's not, I don't care what he thinks. Unless he's a she and she was there last night too, in which case I care very deeply.
Dr. House: Is he in this room? Because if he's not, I don't care what he thinks. Unless he's a she and she was there last night too, in which case I care very deeply.
Dr. House: Thirteen, go stick a needle in your girlfriend’s pelvis. And no, that one wasn’t a metaphor. Suck out some marrow. That one was.
Dr. Hadley: I can handle this alone.
Dr. House: You’ve already handled it. That’s why you need a chaperone. Of course, I’m a very permissive understanding chaperone. So feel free to ignore me. You know, if you’re in the mood to start kissing, or groping, or showering.
Dr. Hadley: You’ll have to excuse Dr. House. He mistakes immaturity for edginess.
Spencer: You’re Dr. House?
Dr. House: I assume my name came up last night in the form of a moan?
Dr. House: You’ve already handled it. That’s why you need a chaperone. Of course, I’m a very permissive understanding chaperone. So feel free to ignore me. You know, if you’re in the mood to start kissing, or groping, or showering.
Dr. Hadley: You’ll have to excuse Dr. House. He mistakes immaturity for edginess.
Spencer: You’re Dr. House?
Dr. House: I assume my name came up last night in the form of a moan?
Dr. Foreman: There are ways to getting to know people without committing felonies.
Dr. House: People interest me, conversations don’t.
Dr. Foreman: Because conversations go both ways.
Dr. House and Dr. Foreman: Like Thirteen.
Dr. House: People interest me, conversations don’t.
Dr. Foreman: Because conversations go both ways.
Dr. House and Dr. Foreman: Like Thirteen.
Dr. House: There’s eight units in this building. There’s got to be a pervert like me living in at least one of them.
Lucas: Yes, because you represent one out of every eight people living in this country.
Lucas: Yes, because you represent one out of every eight people living in this country.
Dr. Foreman: I just spoke to my brother.
Dr. House: And by “brother” you mean…
Dr. Foreman: I mean my parent’s other son.
Dr. House: Wow. Same dad.
Dr. House: And by “brother” you mean…
Dr. Foreman: I mean my parent’s other son.
Dr. House: Wow. Same dad.
Dr. House: I haven’t sat on this couch for four months. It remembers my cheeks.
Dr. Wilson: House, you are a drug addict. You go to prostitutes. You can’t be judgmental.
Dr. House: And yet…
Dr. House: And yet…
(talking about Wilson)
Dr. House: He’s an idiot with a messiah complex. Savior to all who need saving. That’s why his first wife had a wooden leg. Second wife was Canadian.
Dr. House: He’s an idiot with a messiah complex. Savior to all who need saving. That’s why his first wife had a wooden leg. Second wife was Canadian.
Spencer: How long do you have?
Dr. Hadley: Maybe a little more than you. Maybe a little less. I’ll race you.
Dr. Hadley: Maybe a little more than you. Maybe a little less. I’ll race you.
Dr. Foreman: Do you think… I’m boring?
Dr. Chase: Yes.
Dr. Foreman: You’re saying that just to screw with me.
Dr. Chase: Yeah. Why would you expect anything else?
Dr. Foreman: I expect House to pull my string, I expect Cameron to make me feel better, I expect the new team to kiss my ass, and I expect you to be honest, ‘cause you don’t give a crap.
Dr. Chase: Yes, you’re boring. That speech was boring.
Dr. Foreman: Thanks so much.
Dr. Chase: Yes.
Dr. Foreman: You’re saying that just to screw with me.
Dr. Chase: Yeah. Why would you expect anything else?
Dr. Foreman: I expect House to pull my string, I expect Cameron to make me feel better, I expect the new team to kiss my ass, and I expect you to be honest, ‘cause you don’t give a crap.
Dr. Chase: Yes, you’re boring. That speech was boring.
Dr. Foreman: Thanks so much.
Dr. Wilson: I’m actually kind of insulted. No way I’m a drug addict, but you completely buy that I fell in love with a prostitute?
Dr. House: You played to your strengths. By which I mean you played to your weaknesses. Oh my god. You invoked your dead girlfriend’s name to sell me. You’re my hero.
Dr. House: You played to your strengths. By which I mean you played to your weaknesses. Oh my god. You invoked your dead girlfriend’s name to sell me. You’re my hero.
Dr. House: Another life saved by girl-on-girl action.
Other Episode Crew
| • Creator | David Shore |
| • Executive Producer | Bryan Singer | Katie Jacobs | David Shore | Paul Attanasio | Thomas L. Moran | Russel Friend | Garrett Lerner |
| • Co-Executive Producer | Eli Attie | Leonard Dick | Doris Egan | Lawrence Kaplow (1) | Deran Sarafian | Peter Blake (2) | Gerrit Van Der Meer |
| • Supervising Producer | Liz Friedman |
| • Producer | David Hoselton | David Foster | Marcy G. Kaplan |
| • Co-Producer | Sara Hess | Allen Marshall Palmer |
| • Associate Producer | Lindsey Jaffin | Julie Hrebec |
| • Production Designer | Jeremy Cassells |
| • Casting | Stephanie Laffin | Amy Lippens |
| • Unit Production Manager | Gerrit Van Der Meer |
| • First Assistant Director | Kevin Williams (2) |
| • Second Assistant Director | Janet K. Vanetten |
| • Music | Jason Derlatka | Jon Ehrlich |
| • Music Editor | Michael Baber |
| • Music Supervisor | Lynn Grossman | Gary Calamar |
| • Costume Designer | Cathy Crandall |
| • Key Grip | Shawn Whelan |
| • Camera Operator | Anthony Gaudioz | Rob Carlson (3) |
| • Set Decorator | Natalie Pope |
| • Location Manager | Nancy Haecker |
| • Transportation Coordinator | Steve De Leon |
| • Property Master | Tyler Patton |
| • Construction Coordinator | Stephen Howard |
| • Production Sound Mixer | Von Varga |
| • Script Supervisor | Ira Hurvitz |
| • Production Coordinator | Elisabeth James Rhee |
| • Script Coordinator | Dustin Paddock |
| • Supervising Sound Editor | Brad North |
| • Re-Recording Mixer | Gerry Lentz | Richard Weingart |
| • Leadman | Gary Isbell |
| • Director of Photography | Gale Tattersall |
| • Art Director | Cameron Birnie |
| • Assistant Production Coordinator | Meg A. Schave |
| • Post Production Coordinator | Marisa Lederman |
| • Executive Story Editor | Pamela Davis (1) |
| • Costume Supervisor | Amy Dodson |
| • Special Makeup Effects Artist | Dalia Dokter |
| • Main Title Theme | Massive Attack |
| • Visual Effects Supervisor | Elan Soltes |
| • Production Accountant | Jane Williams (2) |
| • Chief Lighting Technician | Jim Dillinger |
| • Department Head Hair | Janis Clark (1) |
| • Casting Associate | Janelle Scuderi |
| • Medical Technical Advisor | John Sotos | Harley Liker | Lisa Sanders |
| • Department Head Make-up | Robin Luce |
| • Assistant To The Executive Producer | Robyn Marrow | Simran Baidwan | Tommy Paul | James S. Conway |
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