Episode Info
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Episode number: 1x5 Airdate: Wednesday October 13th, 1965 |
Recap
Kelly and Scott arrive at a party in Hong Kong after a tournament and the hostess, Alicia Cavanaugh, comes over to greet them. When Scott realizes that Alicia and Kelly know each other, he quickly bows out to talk to the piano player, Sax, and Kelly takes Alicia out on the dance floor. They slow-dance and she assures Kelly that she still remembers him and that her old emotions are stirring. Kelly asks where she went after the match and Alicia says that she was with George Serengi. Serengi is talking with another guest, Tia Chang. Alicia admits that she's found herself a man ..Read the full recap
Episode Quotes
Sax: A man who hath no music in himself...
Scott: Is fit for treasons, stratagems, and spoils.
Scott: Is fit for treasons, stratagems, and spoils.
Scott: I thought you were in mourning.
Tia Chang: (dancing) You suffer your way, I suffer mine.
Tia Chang: (dancing) You suffer your way, I suffer mine.
Tia Chang: Finished with the... Blue Dragon part of the business? Be finished with it. You can't comfort me in the morgue. (blows Kelly a kiss)
Scott: The wonderfulness of your charm.
Scott: The wonderfulness of your charm.
Capt. Porter: You have unorthodox ways of welcoming a guest, gentlemen.
Scott: Some of our guests have unorthodox ways of entering rooms, Inspector.
Scott: Some of our guests have unorthodox ways of entering rooms, Inspector.
(at an acupuncturist)
Kelly: What is that?
Scott: You get a head cold, they stick needles in it.
Kelly: Does it work?
Scott: Go inside and sneeze.
Kelly: What is that?
Scott: You get a head cold, they stick needles in it.
Kelly: Does it work?
Scott: Go inside and sneeze.
Scott: Did you ever hear of the Blue Dragon Society?
Dr. Wing: That is not a medical matter.
Scott: Well, I mean, for two hundred dollars, anything ought to be a medical matter.
Dr. Wing: That is not a medical matter.
Scott: Well, I mean, for two hundred dollars, anything ought to be a medical matter.
Other Episode Crew
| • Executive Producer | Sheldon Leonard |
| • Producer | Fouad Said | Morton Fine | David Friedkin |
| • Associate Producer | Ronald Jacobs |
| • Casting | Ruth Burch |
| • Music | Earle Hagen |
| • Music Editor | Ken Johnson (5) |
| • Hairstylist | Donna McDonough |
| • Make-up | Stan Smith |
| • Set Decorator | Ken Swartz |
| • Property Master | Stuart Stevenson |
| • Production Assistant | Joel Swanson |
| • Director of Photography | Fleet Southcott |
| • Production Supervisor | Ronald Jacobs |
| • Art Director | Kenneth A. Reid |
| • Production Manager | Frank Myers (1) | Edward M. Hillie |
| • Sound Editor | Dick Maier (1) |
| • Special Effects | Joe Lombardi |
| • Film Editor | Robert Moore (5) |
| • Costumer | Harald Johnson | Florence Albert |
| • Assistant Director | Robert Daley |
| • Sound Engineer | Cam McCulloch (1) |
| • Music Coordinator | Walter Popp |
| • Second Unit Director | Sheldon Leonard |
| • Continuity | Michael Preece (1) |
| • Editorial Coordinator | Jerry Jameson |
| • Location Director Of Photography | Fouad Said |
| • Assistant To The Production Manager | Stanley J. Brooks |
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