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Leverage: The Two Live Crew Job
Nate and his crew square off against their opposite numbers when they must match wits against a band of similarly skilled thieves in order to retrieve priceless stolen artwork.
| 9/10 (23 Votes cast) |
Episode Info
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Episode number: 2x7 Production Number: 207 Airdate: Wednesday August 26th, 2009 Alternate Airdates:
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NL (
UK (
Main Cast
Recap
Nate and Sophie meet with Ezra and Olivia Mercer, an elderly brother and sister who run a reclamation problem to acquire art taken by the Nazis during World War II. One piece, a Gustav Klimt, belonged to Ezra's father, who didn't make it out of Europe. A software company owner, North, bought it on the black market knowing its history and has it in display in his office. He's paid off a judge to dismiss the case and the Mercers have no way to get it legally...Read the full recap
Episode Notes
The injury that Christian Kane received to his forehead while filming a fight scene in the previous episode can be seen during his actual fight with Raquel when she knocks off his stocking cap and bandanna.
Music
| Artist | Song Title | Played When |
| Andy Lange | Not Sure Yet | closing scenes |
Episode Quotes
Parker: Is that C-4?
Sophie: Oh! Parker... please don't poke at the motion-sensitive bomb.
Nate: So, uh... secret admirer?
Sophie: Well, it's no secret they want me dead.
Sophie: Oh! Parker... please don't poke at the motion-sensitive bomb.
Nate: So, uh... secret admirer?
Sophie: Well, it's no secret they want me dead.
Sophie: All right, everybody get out of here right now.
Nate: I'm gonna stay. I'm gonna stay with Sophie, all right?
Alec: We're not leaving you, Sophie.
Sophie: Look, I appreciate what you guys are trying to do, but just.. if you don't get out of here now, then... then I'm going to kill you myself when this over.
Nate: I'm gonna stay. I'm gonna stay with Sophie, all right?
Alec: We're not leaving you, Sophie.
Sophie: Look, I appreciate what you guys are trying to do, but just.. if you don't get out of here now, then... then I'm going to kill you myself when this over.
Nate: Friend of yours?
Sophie: Well, If by that you mean murderous, treacherous backstabber, than yes.
Nate: Yeah, I thought so. Seemed like your type.
Sophie: Well, If by that you mean murderous, treacherous backstabber, than yes.
Nate: Yeah, I thought so. Seemed like your type.
Alec: (to Sophie) Are you saying that you saw other teams before us?
Parker: Really just another Nate before Nate.
Eliot: (to Nate) Let me ask you a question. What bugs you more, is it the fact that he was with Sophie first, or that he outsmarted you?
Parker: Really just another Nate before Nate.
Eliot: (to Nate) Let me ask you a question. What bugs you more, is it the fact that he was with Sophie first, or that he outsmarted you?
Sophie: So this is what you do, right? You take... you take footage of us on cons and you... you... you download it into that?
Alec: Yeah, I analyze it, I monitor comms, I scan for all police frequencies, I... you had no idea I do all this, did you? Does nobody respect the van? The van is important! What... what is that?
Sophie: It's lemon-zest tea. I gotta tell you, it's... it's a little bit... it's a little bit wiffy in here.
Alec: It smells like hard work, that's what it smells like!
Alec: Yeah, I analyze it, I monitor comms, I scan for all police frequencies, I... you had no idea I do all this, did you? Does nobody respect the van? The van is important! What... what is that?
Sophie: It's lemon-zest tea. I gotta tell you, it's... it's a little bit... it's a little bit wiffy in here.
Alec: It smells like hard work, that's what it smells like!
Sophie: That was some nice things you said at my funeral.
Alec: Wait. Well, we trust Nate to make sure the plan works. We trust you to make sure we're all okay.
Alec: Wait. Well, we trust Nate to make sure the plan works. We trust you to make sure we're all okay.
Nate: If you know about us, then you would know to get out of my city.
Marcus Starke: It's still your city, Nate. I'm.. I'm just gonna take her out for one night of cheap fun. I'll get her back to you in the morning.
Marcus Starke: It's still your city, Nate. I'm.. I'm just gonna take her out for one night of cheap fun. I'll get her back to you in the morning.
Alec: Chaos, I heard you were in jail. Guess I was wrong.
Colin "Chaos" Mason: Hardison. I heard you sucked. Guess I was right.
Colin "Chaos" Mason: Hardison. I heard you sucked. Guess I was right.
Alec: You were scared to fight a girl.
Eliot: She'd mop the floor with you, Hardison
Alec: I don't care.
Eliot: Seriously, she actually killed a guy once with a mop. It's a funny story, actually. She broke the mop and took...
Alec: Eliot, Eliot.
Eliot: She'd mop the floor with you, Hardison
Alec: I don't care.
Eliot: Seriously, she actually killed a guy once with a mop. It's a funny story, actually. She broke the mop and took...
Alec: Eliot, Eliot.
Nate: Okay, now, we know Starke. This guy goes by the name Apollo. I've chased him a couple of times--infiltration, physical security.
Parker: People in that line of high-risk work tend to be very unstable. We can use that. Write that down.
Parker: People in that line of high-risk work tend to be very unstable. We can use that. Write that down.
Alec: Now this here's Colin Mason. Otherwise known by his hacker name as "Chaos." As... whatever. Hacked the Pentagon, the NSA. The CIA computer guys call him the Kobayashi Maru.
Eliot: What the hell is that?
Alec: None of y'all got that? Seriously?
Parker: Star Trek.
Alec: Thank you.
Eliot: What the hell is that?
Alec: None of y'all got that? Seriously?
Parker: Star Trek.
Alec: Thank you.
Episode References
MacGyverism: Instant pudding to fill a vase filled with water and containing a motion-sensitive bomb, to stop the bomb from moving and going off
Other Episode Crew
| • Creator | Chris Downey | John Rogers (1) |
| • Executive Producer | Dean Devlin | John Rogers (1) | Chris Downey |
| • Co-Executive Producer | Kearie Peak | Marc Roskin |
| • Supervising Producer | Amy Berg |
| • Producer | Kelly A. Manners | Paul F. Bernard |
| • Co-Producer | Rachel Olschan |
| • Production Designer | Leonard Harman |
| • Casting | April Webster | Scott David | Lana Veenker |
| • Music | Joseph Loduca |
| • Music Editor | Scott Francisco |
| • Costume Designer | Nadine Haders |
| • Key Grip | Brian Fleskes |
| • Camera Operator | Gary Camp |
| • Set Designer | Adam Reamer |
| • Set Decorator | Crista Schneider |
| • Transportation Coordinator | Glenn Enzen |
| • Property Master | Eric Bates |
| • Construction Coordinator | Allun Vick |
| • Script Supervisor | Suzanne Bingham |
| • Production Coordinator | Liz Brandenburg |
| • Script Coordinator | Kerry Glover |
| • Post Production Supervisor | Benjamin Raymond Jack |
| • Supervising Sound Editor | Kenneth L. Johnson |
| • Re-Recording Mixer | Patrick Cyccone |
| • Gaffer | Neil Holcomb |
| • Director of Photography | David Connell (1) |
| • Story Editor | Jessica Rieder | Christine Boylan | Albert Kim | Melissa Glenn |
| • Stunt Coordinator | Kevin L. Jackson (1) |
| • Production Supervisor | Mitchell Bell |
| • Costume Supervisor | Leslie Herman |
| • Production Accountant | Michael Goldberg |
| • Department Head Hair | Voni Hinkle |
| • Visual Effects Producer | Marc Franco |
| • Special Effects Supervisor | Kai Shelton |
| • Department Head Make-up | Jeff Dawn |
| • Visual Effects | Carey Gosa |
| • Assistant To The Executive Producer | Chase Friedman |
| • Assistant To The Producer | Kelly Crimmins | Jose Behar |
| • Assistant To The Co-executive Producer | Jenn Russell |
| • Assistant Art Director | Bekka Melino |
| • Second 2nd Assistant Director | Courtney Rowe |
| • Assistant To The Co-producer | Ryan Mitchelle |
| • Assistant To The Star | Elle Poindexter |
| • Compositing Supervisor | Jennifer Law-Stump |
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