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Leverage: The 15 Minutes Job
The team takes on Reed Rockwell, a crooked media consultant who refuses to reveal himself to the public and has nothing they can get him on. To bring him into the spotlight, the Leverage team sets Rockwell up as a hero so they can find out what he's hiding and bring him down.
| 8.7/10 (12 Votes cast) |
Episode Info
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Episode number: 4x3 Airdate: Sunday July 10th, 2011 Alternate Airdates:
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UK (
Main Cast
Recap
Media consultant Reed Rockwell is working in his Crisis Center office, Photoshopping a woman onto a photo of state attorney Ed Kelley. His assistant, Kreese, comes in and tells Rockwell that he has planted the evidence on Kelley. Kreese doesn’t think that they can frame Kelley, but Rockwell figures that the press will turn against Kelley and the people, upset that their lives aren’t good, will turn against Kelley...Read the full recap
Episode Quotes
Eliot: Stop--stop with the Star Trek stuff again!
Alec: "Wars"! Damn it, it's Star Wars! And--and that CGI Yoda they used in the prequels, it was an insult to the puppet. You know--you know what, man? It's not even worth discussing.
Eliot: You're the only one discussing.
Parker: I kinda like CGI Yoda.
Alec: Ah!
Alec: "Wars"! Damn it, it's Star Wars! And--and that CGI Yoda they used in the prequels, it was an insult to the puppet. You know--you know what, man? It's not even worth discussing.
Eliot: You're the only one discussing.
Parker: I kinda like CGI Yoda.
Alec: Ah!
Alec: Rockwell's brilliant, he's ruthless. Stone-cold solid. It’s a shame we got to take the man down. I’d almost consider making him a part of the team.
Nate: Yeah, uh, Rockwell has his boot on my friend's throat, Hardison.
Alec: I said, “almost.”
Nate: Yeah, uh, Rockwell has his boot on my friend's throat, Hardison.
Alec: I said, “almost.”
Nate: I mean, what we're really asking here is how would I destroy myself.
Parker: Yeah, and you can't say "booze."
Parker: Yeah, and you can't say "booze."
Alec: Parker, I'm not going to be unable to unhear that CGI Yoda thing. Cut me deep, woman, that cut me deep.
Alec: Really? The slow clap?
Eliot: Yeah, yeah, man. I got 'em all the time in high school. You didn't get one of those in high school?
Eliot: Yeah, yeah, man. I got 'em all the time in high school. You didn't get one of those in high school?
Parker: I think I'm getting better at this.
Alec: I'm cloning Rockwell's cell phone right now. Good work, girl.
Parker: I didn't even stab him.
Alec: Yeah--we--you--we are so proud of you. Uh, no-stabbing Wednesdays. New tradition.
Alec: I'm cloning Rockwell's cell phone right now. Good work, girl.
Parker: I didn't even stab him.
Alec: Yeah--we--you--we are so proud of you. Uh, no-stabbing Wednesdays. New tradition.
Parker: This woman right here, she talks for two hours about all the things she misses doing with her children on an average day. Look.
Eliot: Why, did they die?
Parker: No, no. They just--they went to college.
Eliot: All right, stop, stop. Back away from the brochures. Back away from the brochures!
Eliot: Why, did they die?
Parker: No, no. They just--they went to college.
Eliot: All right, stop, stop. Back away from the brochures. Back away from the brochures!
Nate: Illegitimate kid.
Parker: Or Reed used to be Rita. What? We were all thinking it.
Alec: Really? That's like the line right there, and you just cartwheel over it...
Parker: Could have been a woman.
Parker: Or Reed used to be Rita. What? We were all thinking it.
Alec: Really? That's like the line right there, and you just cartwheel over it...
Parker: Could have been a woman.
(on the comms)
Sophie: Hey, I wonder if Nate still thinks he's got all the angles of this fame thing covered.
Nate: You know, Sophie, I can hear you.
Sophie: Really?
Sophie: Hey, I wonder if Nate still thinks he's got all the angles of this fame thing covered.
Nate: You know, Sophie, I can hear you.
Sophie: Really?
Reed Rockwell: What do you mean it didn't work? How the hell did you screw this up?
Kreese: There was somebody with her.
Reed Rockwell: Somebody?
Kreese: He--he beat me up with the screen door.
Kreese: There was somebody with her.
Reed Rockwell: Somebody?
Kreese: He--he beat me up with the screen door.
Sophie: You know, for a while you were an honest man. Then for a while you were a thief.
Nate: Well maybe I'm both.
Sophie: You can't be both. I'm just not sure at this point which one I want to win.
Nate: Well maybe I'm both.
Sophie: You can't be both. I'm just not sure at this point which one I want to win.
Cultural References
Parker: Or are you one of those big Internet company guys like the kids in that movie?
Parker is referring to the 2010 movie The Social Network, which chronicles the founding of Facebook.
Parker is referring to the 2010 movie The Social Network, which chronicles the founding of Facebook.
Alec: Can you find the Ark of the Covenant back there?
The 1981 movie Raiders of the Lost Ark ends with a shot of a vast warehouse filled with crates and boxes.
The 1981 movie Raiders of the Lost Ark ends with a shot of a vast warehouse filled with crates and boxes.
Nate: Calm down, Rockwell, use your words.
In the 1987 novel Sphere by Michael Crichton and the subsequent 1998 movie adaptation, psychologist Norman Johnson repeatedly tells the alien, "Jerry," to "Use your words, Jerry" when it starts to get out of control.
In the 1987 novel Sphere by Michael Crichton and the subsequent 1998 movie adaptation, psychologist Norman Johnson repeatedly tells the alien, "Jerry," to "Use your words, Jerry" when it starts to get out of control.
Other Episode Crew
| • Creator | Chris Downey | John Rogers (1) |
| • Executive Producer | Dean Devlin | John Rogers (1) | Chris Downey | Marc Roskin | Kearie Peak |
| • Producer | Paul F. Bernard |
| • Co-Producer | James Scura | Paul Guyot | Rachel Olschan |
| • Associate Producer | Kerry Glover | Benjamin Raymond Jack |
| • Editor | David Siegel |
| • Casting | Angela Terry | Barbara Stordahl | Lana Veenker |
| • Unit Production Manager | Paul F. Bernard |
| • First Assistant Director | Matthew J. Clark (1) |
| • Second Assistant Director | Peter Dowd |
| • Music | Joseph Loduca |
| • Music Editor | Scott Francisco |
| • Costume Designer | Nadine Haders |
| • Key Grip | Brian Fleskes |
| • Camera Operator | Richard Merryman | Gary Camp |
| • Set Designer | Andrae Covington |
| • Set Decorator | Benjamin Hayden |
| • Location Manager | Don Baldwin |
| • Transportation Coordinator | Glenn Enzen |
| • Property Master | John Pearson-Denning |
| • Construction Coordinator | Dean Roberts |
| • Production Sound Mixer | Paul H. Maritsas |
| • Script Supervisor | Suzanne Bingham |
| • Production Coordinator | Liz Brandenburg |
| • Assistant Editor | Lana Wolverton | Dan Wilken |
| • Supervising Sound Editor | Kenneth L. Johnson |
| • Re-Recording Mixer | Patrick Cyccone |
| • Gaffer | Neil Holcomb |
| • Director of Photography | David Connell (1) |
| • Story Editor | Geoffrey Thorne | M. Scott Veach | Josh Schaer |
| • Stunt Coordinator | Kevin L. Jackson (1) |
| • Art Director | Randal Groves |
| • Post Production Coordinator | Nicole Martin (2) |
| • Executive Story Editor | Joe Hortua |
| • Costume Supervisor | Nicole Capasso |
| • Production Accountant | Lisa Howard (2) |
| • Extras Casting | Danny Stoltz | Sally Gates |
| • Department Head Hair | Catherine Conrad |
| • Visual Effects Producer | Marc Franco |
| • Special Effects Supervisor | Kai Shelton |
| • Department Head Make-up | Molly Craytor |
| • Visual Effects | Carey Gosa |
| • Assistant To The Executive Producer | Kayla Westerboard-Dobson |
| • Assistant To The Producer | Kayla Rae Dettman | Kelly Crimmins |
| • Assistant To The Co-executive Producer | Jenn Russell | Justin Ruane |
| • Assistant Art Director | Adam Reamer |
| • Second 2nd Assistant Director | Patrick Mangan |
| • Assistant To The Co-producer | Paola Ferrari |
| • Assistant To The Star | Becky Holladay |
| • Compositing Supervisor | Jennifer Law-Stump |
| • "a" Camera 1st Assistant | Kyril Cvetkov |
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