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Leverage: The Cross My Heart Job
While returning from a job, the team arrives at the Cincinnati airport and spot a woman stealing an organ transplant cooler. Nate insists that they get involved and learns that an ailing CEO is stealing the heart from a 15-year-old boy to use for himself.
| 9.2/10 (11 Votes cast) |
Episode Info
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Episode number: 4x9 Airdate: Sunday August 21st, 2011 Alternate Airdates:
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UK (
Main Cast
Recap
At the Cincinnati Metropolitan Airport, the team returns from a Caribbean job. It didn’t go as planned and most of their equipment was lost. In the main terminal, Nate spots a woman with a cooler and realizes that she switched it for another one. As she makes a call, Nate approaches her and points out that she stole the cooler and swapped it with someone. However, he figures that someone put it up to her. The woman, Linda, tries to deny it and Nate tells her that he’s there to help her. Linda explains that she didn’t have a choice because the people responsible kidnapped her daughter Tanya, and forced her to steal a human heart. ..Read the full recap
Episode Quotes
Sophie: Well, that trip was a complete disaster.
Alec: It was a train wreck.
Eliot: No, it was a shipwreck, and you want to know how I know that? Because I was in the wreck.
Alec: It was a train wreck.
Eliot: No, it was a shipwreck, and you want to know how I know that? Because I was in the wreck.
Parker: Oh, I don't know what you're complaining about. I didn't even get to see the emerald.
Alec: Are you for real?
Eliot: Oh my god, for the last time, it's not an emerald. All right? It's an island. It's "The Emerald of the Caribbean."
Alec: Are you for real?
Eliot: Oh my god, for the last time, it's not an emerald. All right? It's an island. It's "The Emerald of the Caribbean."
Eliot: You carry high heels in your purse?
Sophie: I always travel with heels.
Sophie: I always travel with heels.
Eliot: Don't suppose you travel with handcuffs.
Sophie: No, not on this trip.
Sophie: No, not on this trip.
Sophie: Hey, you all right with this one?
Nate: What?
Sophie: Well, you said it yourself--a kid's life is at stake. You don't think that might get too personal?
Nate: Does it matter?
Nate: What?
Sophie: Well, you said it yourself--a kid's life is at stake. You don't think that might get too personal?
Nate: Does it matter?
Alec: Look, man, this is like stone knives and bearskins, okay? Nobody's asking Eliot to fight a guy with a Nerf sword.
Eliot: Damascus, 2002.
Alec: Like you've been to Damascus.
Eliot: Damascus, 2002.
Alec: Like you've been to Damascus.
Nate: I know what you're gonna say.
Sophie: I think you should have a drink.
Nate: Okay, I didn't know what you were gonna say.
Sophie: I think you should have a drink.
Nate: Okay, I didn't know what you were gonna say.
Dean Chesney: I'm fighting for my life, Mr. Ford! What are you fighting for?
Nate: I am fighting for that 15-year-old boy that you're going to kill.
Dean Chesney: God helps those that help themselves.
Nate: And I help people who can't.
Nate: I am fighting for that 15-year-old boy that you're going to kill.
Dean Chesney: God helps those that help themselves.
Nate: And I help people who can't.
Dean Chesney: Well, Mr. Ford, it seems you've killed me after all.
Nate: Oh, I didn't kill you. God killed you. I just... made sure it took.
Nate: Oh, I didn't kill you. God killed you. I just... made sure it took.
Cultural References
Alec: Look, man, this is like stone knives and bearskins, okay?
Spock uses the same phrase to describe 1930s electronic parts when making a crude computer, in the original Star Trek series episode "The City on the Edge of Forever."
Spock uses the same phrase to describe 1930s electronic parts when making a crude computer, in the original Star Trek series episode "The City on the Edge of Forever."
Airport Intercom: Mr. Kirk Picard.
Kirk and Picard are the names of the captains in the first two Star Trek series. As established in previous episodes, Alec is a big Star Trek fan and Eliot, the one who sends the message, knows it.
Kirk and Picard are the names of the captains in the first two Star Trek series. As established in previous episodes, Alec is a big Star Trek fan and Eliot, the one who sends the message, knows it.
Other Episode Crew
| • Creator | Chris Downey | John Rogers (1) |
| • Executive Producer | Chris Downey | Kearie Peak | John Rogers (1) | Marc Roskin | Dean Devlin |
| • Producer | Paul F. Bernard |
| • Co-Producer | James Scura | Paul Guyot | Rachel Olschan |
| • Associate Producer | Benjamin Raymond Jack | Kerry Glover |
| • Editor | David Siegel |
| • Casting | Angela Terry | Barbara Stordahl | Lana Veenker |
| • Unit Production Manager | Paul F. Bernard |
| • First Assistant Director | Matthew J. Clark (1) |
| • Second Assistant Director | Peter Dowd |
| • Music | Joseph Loduca |
| • Music Editor | Scott Francisco |
| • Costume Designer | Nadine Haders |
| • Key Grip | Brian Fleskes |
| • Camera Operator | Gary Camp | Norbert Kaluza |
| • Set Designer | Andrae Covington |
| • Set Decorator | Jenelle Giordano |
| • Location Manager | Robert Warberg |
| • Transportation Coordinator | Glenn Enzen |
| • Property Master | John Pearson-Denning |
| • Production Sound Mixer | Paul H. Maritsas |
| • Script Supervisor | Suzanne Bingham |
| • Production Coordinator | Liz Brandenburg |
| • Assistant Editor | Dan Wilken | Lana Wolverton |
| • Supervising Sound Editor | Kenneth L. Johnson |
| • Re-Recording Mixer | Patrick Cyccone |
| • Gaffer | Neil Holcomb |
| • Director of Photography | David Connell (1) |
| • Story Editor | M. Scott Veach | Geoffrey Thorne | Josh Schaer |
| • Stunt Coordinator | Kevin L. Jackson (1) |
| • Art Director | Randal Groves |
| • Post Production Coordinator | Nicole Martin (2) |
| • Executive Story Editor | Joe Hortua |
| • Costume Supervisor | Nicole Capasso |
| • Production Accountant | Lisa Howard (2) |
| • Extras Casting | Sally Gates | Danny Stoltz |
| • Department Head Hair | Catherine Conrad |
| • Visual Effects Producer | Marc Franco |
| • Special Effects Supervisor | Kai Shelton |
| • Department Head Make-up | Molly Craytor |
| • Visual Effects | Carey Gosa |
| • Assistant To The Executive Producer | Kayla Westerboard-Dobson |
| • Assistant To The Producer | Kelly Crimmins | Kayla Rae Dettman |
| • Assistant To The Co-executive Producer | Jenn Russell | Justin Ruane |
| • Assistant Art Director | Adam Reamer |
| • Assistant To The Co-producer | Paola Ferrari |
| • Assistant To The Star | Becky Holladay |
| • Compositing Supervisor | Jennifer Law-Stump |
| • "a" Camera 1st Assistant | Kyril Cvetkov |
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