|The show is pretty amusing, with the performances of the voices actors making the show pretty entertaining. You would think an annoying nine year old with a lisp would have a grating voice...well Amy Poehler makes sure it isn't.|
The art and animation style is something like Spongebob Squarepants meets Ren and Stimpy. Ironically the creators of both cartoons are given a 'Special Thanks" at the end of the credits, so this art style is likely on purpose. The character design is pretty deceiving, as the characters are more "flexible" than they actually appear to be. Many of the jokes in the series are brought along solely through visuals and actions. Bessie being stretched and squashed by a taffy machine in "Sweet Sixteen" was a pretty great moment. The crew behind the show attempts to go "back in time" and they use techniques that are seldom used in today's cartoons. Hand-painted backgrounds, some animation done in America, hand-drawn animation...they are clearly trying to get back to animation's roots.
The characters are decent to say the least, but Portia and her friend seem like the generic "popular kids" that are seen in a lot of cartoons these days. However, this seems to be the point of the characters. To directly hit that well-known cliche in the stomach. Bessie dangerously treads the line between annoying and funny, but is able to combine it both for a good plot. She is an off-beat werido that I, at times, can relate to. Her brother that looks up to her is nice character to have along, and so is her pet dog "Happy", which was introduced in the pilot episode "So Happy Together". This show is pretty good, but has room for potential that may be reached in the next few episodes. After we get half-way through the season, I will do a short follow-up review on the show. But for now, "The Mighty B" gets a B.