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Primeval: Series 4, Episode 2
When Connor looks up his old friend Duncan, he doesn't expect to find him obsessed with creature sightings. Warning him of the elusive dock creature, the pair track it down to the docks, only to find evidence of a fresh kill. With Abby and Matt arriving to help, they find the creature after a tense chase through a container yard. Will Connor's quick-thinking and bravery earn him back his place on the team?
Source: ITV
Source: ITV
| 8.6/10 (10 Votes cast) |
Episode Info
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Episode number: 4x2 Airdate: Sunday January 02nd, 2011 Special Airtime: 07:00 pm Alternate Airdates:
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US (
Featuring
Main Cast
Other Episode Crew
| • Creator | Adrian Hodges | Tim Haines |
| • Executive Producer | Tim Haines | Adrian Hodges |
| • Producer | Tim Bradley |
| • Co-Producer | Rebecca O'flanagan | Donal Geraghty |
| • Associate Producer | Katie Newman |
| • Production Designer | Michael Ralph |
| • Editor | Richard Cox |
| • Line Producer | Michael Treen |
| • First Assistant Director | Marcus Catlin |
| • Second Assistant Director | Therese Friel |
| • Costume Designer | Gaby Rooney |
| • Camera Operator | Mark McQuoid |
| • Location Manager | Dermot Cleary |
| • Script Supervisor | Leigh Nicol |
| • Production Coordinator | Rachel Smith |
| • Assistant Editor | Jaime Turpin |
| • Supervising Sound Editor | Dean Humphreys |
| • Gaffer | Garret Baldwin |
| • On-Line Editor | Shayne Murphy |
| • Director of Photography | Donal Gilligan |
| • Stunt Coordinator | Donal O'farrell |
| • Production Supervisor | Peter Winstanley |
| • Art Director | Richard Field (1) |
| • Assistant Production Coordinator | Sinead Barry |
| • Production Manager | Caroline Richards |
| • Sound Mixer | Barry O'Sullivan |
| • Script Editor | Sarah Dollard |
| • Boom Operator | Conor O'Toole |
| • Production Accountant | Nigel Neads |
| • Transportation Captain | John Kavanagh (2) |
| • Clapper Loader | Cormac O'Malley |
| • Make-up & Hair | Patsy Giles |
| • Wardrobe Assistant | Tatjana ZemcUgova |
| • Composer | Stephen McKeon |
| • Production Executive | Sheryl Trinh |
| • Rigging Gaffer | Billy Doyle |
| • Focus Puller | Richard Donnelly |
| • Assistant Accountant | Emer Egan |
| • Assistant Art Director | Gary McGinty |
| • Casting Director | Gilliam Reynolds | Suzy Catliff |
| • Sound Effects Editor | Andy Walker (3) |
| • Dialogue Editor | Angel Perez Grandi |
| • Production Buyer | Bronwyn Franklin |
| • Construction Manager | Colm Bassett |
| • Standby Props | Ronan Kennedy | Jerome McDonnell |
| • Camera Trainee | Peter Delaney |
| • Wardrobe Supervisor | Jessica O'Leary |
| • Wardrobe Trainee | Neil Crawford (2) |
| • Production Trainee | Daniel Dowling |
| • Head Of Production | Mark Wright (3) |
| • Stunt Performer | Martin White (1) | Dominick Hewitt |
| • Colourist | Dave Hughes |
| • Camera Grip | Luke Quigley |
| • Art Department Trainee | Naomi Britton |
| • Art Department Assistant | Robert Treen |
| • Dressing Props | Alan Harvey | Pay Byrne |
| • Prop Master | Philip Murphy (2) |
| • Commissioning Executive | Laura Mackie | Ulrich Kruger | Thomas Von Hennet | Alexandra Finlay |
| • Physical Effects Supervisor | Nick Morton |
| • Prop Maker | Wyn Jenkins |
| • Make-up Trainee | Barbara Duffy |
| • Hair Trainee | Lorraine McCrann |
| • Stand-by | Gavin Walsh | Billy Featherston | Mark Bassett | Daniel Walsh |
| • Chief Hair | Terry Ralph |
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