Episode Info
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Episode number: 3x8 Production Number: RP308 Airdate: Wednesday August 17th, 2011 |
Co-Guest Stars
Main Cast
Recap
Hank is running on the beach when a woman catches and passes him from behind. Hank speeds up to pull ahead again only to fall to the sand in pain as he suffers a leg cramp. The woman stops to help him and it turns out to be a world class marathon runner names Jane Cameron. When she learns Hank is a doctor, she asks if he can help her just as Riza, her nanny appears with her daughter. Hank says he can work her into his schedule...Read the full recap
Episode Notes
Boris and Marisa's son is named Carlos.
Episode viewers (millions): 5.44
Music
| Artist | Song Title | Played When |
| Benjamin Francis Leftwich | Atlas Hands | Hank, Jill & Divya treat Boris |
| Gomez | Options | Hank & Jane running for her stress test |
| Gypsy Jazz Caravan | Bossa Roma | |
| Ok Sweetheart | All We Have | Closing scene |
| Telekinesis | All Of A Sudden | Opening scene, Hank running on the beach |
Episode Quotes
Jane Cameron: This cramp was from basic runner error. Never sprint after distance, even if you are being outpaced by a girl.
Evan: Paige, you're really good. You're really, really good.
Paige: Thank you.
Evan: Yeah, and you can paint too.
visual: Paige punches Evan in mock anger.
Paige: Thank you.
Evan: Yeah, and you can paint too.
visual: Paige punches Evan in mock anger.
Marisa: (to Jill and Divya) It's okay to be skeptical, he is a doctor, I am a doctor, and I am telling you, you do not want to date a doctor.
Ellen Collins: Is that her (Paige's) portfolio?
Evan: Yes
Ellen Collins: She's so gifted.
Evan: I know. I know she's like the best artist I've ever met.
Ellen Collins: I'm glad you noticed. That's more than I can say for her other boyfriend.
Evan: By other you meant previous, right Mrs. Collins?
Evan: Yes
Ellen Collins: She's so gifted.
Evan: I know. I know she's like the best artist I've ever met.
Ellen Collins: I'm glad you noticed. That's more than I can say for her other boyfriend.
Evan: By other you meant previous, right Mrs. Collins?
Boris: What does medicine say about the irony of one's incurable disease commencing just as one has something to live for?
Hank: It says don't jump to conclusions.
Hank: It says don't jump to conclusions.
Hank: You can't allow yourself to be isolated and terrorized by your illness.
Boris: I am not afraid of my illness Hank, I am afraid someone is after my son.
Boris: I am not afraid of my illness Hank, I am afraid someone is after my son.
Jane Cameron: You want me to run on that thing? (pointing at treadmill)
Hank: I uh, that was, thinking... uhh, why is it sacrilege?
Jane Cameron: Like eating sugar free carob in a world of Belgian chocolate. Besides it's when I'm in the sun that my core temp goes kaphooey.
Hank: Lucky for you I happen to have a gizmo that will measure your kaphooey level.
Hank: I uh, that was, thinking... uhh, why is it sacrilege?
Jane Cameron: Like eating sugar free carob in a world of Belgian chocolate. Besides it's when I'm in the sun that my core temp goes kaphooey.
Hank: Lucky for you I happen to have a gizmo that will measure your kaphooey level.
Evan: I didn't mean to expose you, I just...
Paige: You exposed yourself too.
Evan: What do you mean by...
visual: Evan turns to see the nude painting of himself.
Evan: Oh, good Nelly!
Paige: You exposed yourself too.
Evan: What do you mean by...
visual: Evan turns to see the nude painting of himself.
Evan: Oh, good Nelly!
Hank: Oh my God, oh my God. (walks over to the nude painting of Evan) Oh my God! Wait wait, someone bought this?
Divya: Oh wow, that is really detailed!
Hank: Like an accident, you want to look away, but you, you can't.
Divya: Oh wow, that is really detailed!
Hank: Like an accident, you want to look away, but you, you can't.
Hank: (to Evan) Do you call that forced perspective or wishful thinking?
Hank: None of these symptoms line up with your illness, the differential is ex...
visual: Hank glances at his hand covered with Boris' blood.
Boris: What?
Hank: Paresthesia. My fingertips are tingling from touching your blood.
Boris: Why would that be?
Hank: These aren't symptoms of your disease, you've been poisoned!
visual: Hank glances at his hand covered with Boris' blood.
Boris: What?
Hank: Paresthesia. My fingertips are tingling from touching your blood.
Boris: Why would that be?
Hank: These aren't symptoms of your disease, you've been poisoned!
Boris: Are you suggesting that I may have inherited a mutation but not a disease?
Hank: It's worth considering. For now rest, no more questions.
Boris: I have one question, where is Dieter?
Hank: It's worth considering. For now rest, no more questions.
Boris: I have one question, where is Dieter?
Cultural References
Jane Cameron: Like eating sugar free carob in a world of Belgian chocolate.
The beans from the carob tree are used as a substitute for chocolate as a current dietary fad.
The beans from the carob tree are used as a substitute for chocolate as a current dietary fad.
Episode References
Marisa: Tell us about your date.
Divya: Okay, it is not a date, do not listen to Jill. It is a colleague thank you.
In episode 3x07 Ta Da For, Dr. Van Dyke asked Divya out to dinner after chewing her out for not consulting him on one of his patients.
Divya: Okay, it is not a date, do not listen to Jill. It is a colleague thank you.
In episode 3x07 Ta Da For, Dr. Van Dyke asked Divya out to dinner after chewing her out for not consulting him on one of his patients.
Boris: (to Hank) The hit on my car, which Miss Casey deduced correctly was not an accident suggest my adversaries my attempt a kidnapping to leverage their position, no?
In episode 3x04 The Shaw/Hank Redemption, Jill was riding in Boris' limousine when the car was intentionally rammed by an unknown but German speaking party.
In episode 3x04 The Shaw/Hank Redemption, Jill was riding in Boris' limousine when the car was intentionally rammed by an unknown but German speaking party.
Other Episode Crew
| • Creator | John P. Rogers | Andrew Lenchewski |
| • Executive Producer | Jeff Kwatinetz | Paul Frank | Rich Frank | Andrew Lenchewski | Michael Rauch |
| • Co-Executive Producer | Jon Sherman | Carol Flint | Kerry Orent | Constance M. Burge |
| • Producer | Antonia Ellis | Kathy Ciric |
| • Co-Producer | Mark Feuerstein | Irv Danesh | Jessica Ball (2) |
| • Consulting Producer | Jack Bernstein |
| • Associate Producer | Margo Johnston |
| • Production Designer | Ray Kluga |
| • Editor | Marnee Meyer | Daniel Valverde |
| • Casting | Steven Jacobs (2) | Bonnie Finnegan |
| • Unit Production Manager | Kathy Ciric |
| • First Assistant Director | Robert C. Albertell |
| • Second Assistant Director | Brendan Walsh (1) |
| • Music | James S. Levine |
| • Music Editor | Lesley Langs |
| • Music Supervisor | Alicen Catron Schneider | Oliver Hild |
| • Costume Designer | Caroline Duncan |
| • Key Grip | Sal Lanza |
| • Camera Operator | Oliver Cary | Peter Vietro Hannum |
| • Set Decorator | Mila Khalevich |
| • Location Manager | Michael Fucci |
| • Property Master | Ruth Dipasquale |
| • Construction Coordinator | Ronnie A. Petagna Jr. |
| • Production Sound Mixer | John McCormick (1) |
| • Script Supervisor | Deirdre Horgan Aska |
| • Production Coordinator | Brette Billow |
| • Script Coordinator | Helen Berger |
| • Assistant Editor | Marnee Meyer | Matthew S. Nickelson |
| • Supervising Sound Editor | Louis Bertini |
| • Re-Recording Mixer | Bob Chefalas |
| • Leadman | Chris Vogt |
| • Gaffer | Steve Ramsey |
| • On-Line Editor | Pat Kelleher |
| • Director of Photography | Joseph R. Collins |
| • Story Editor | Simran Baidwan |
| • Stunt Coordinator | Cort Hessler |
| • Production Supervisor | Peter Sabat |
| • Art Director | Martin Fahrer |
| • Assistant Production Coordinator | John Sesumi |
| • Consultant | John P. Rogers |
| • Makeup Department Head | Francesca Buccellato |
| • Art Department Coordinator | Alyson Wellins Lewin |
| • Visual Effects Supervisor | Luke DiTommaso |
| • Main Title Design | J. John Corbett | Randall Balsmeyer |
| • Production Accountant | Lynda Van Damm |
| • Transportation Captain | Steven R. Hammond |
| • Casting Associate | Candice Alustiza |
| • Original Casting | Susie Farris |
| • Post Supervisor | Sam Friedlander |
| • Colorist | Roger Doran |
| • Assistant To The Executive Producer | Priscilla Crowe | Teresa Ingram | Chris Luttrell | Laurie Ferneau |
| • Assistant Costume Designer | Jessica Glenn |
| • Assistant To The Co-executive Producer | Charlie Kessler |
| • Assistant Accountant | Ernesto Alcalde |
| • Hair Department Head | Anna Hilton |
| • Digital Imaging Technician | David Satin |
| • Post Coordinator | Peter Tadros |
| • Best Boy Grip | Colin Keech |
| • Special Effects Make-up | Craig Lindberg |
| • Wardrobe Supervisor | Shelby Saboy |
| • Charge Scenic Artist | Joseph Garzero |
| • Main Title Theme Performed By | The Blue Van |
| • "a" Camera First Assistant | John R. Macdonald |
| • Loop Group Coordinator | Sondra James |
| • Background Casting | Grant Wilfley |
| • "b" Camera First Assistant | Malcolm A. Purnell |
| • Transportation Co-captain | Peter Clores |
| • Background Casting Associate | Joanna Vanadia |
| • A Dolly Grip | Anna Novick |
| • B Dolly Grip | Mike Kammerer Sr. |
| • Key Rigging Grip | Thomas Yostpille |
| • Best Boy Rigging Grip | George Gartland |
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