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Sherlock: The Blind Banker
Sherlock's idea of a trip to the bank is not quite what Watson was thinking of. Strange ciphers are appearing on walls all over the capital and anyone who sees them is dead within just a few hours. Sherlock and Watson need to decipher the deadly symbols before anyone else ends up becoming a victim.
| 9/10 (38 Votes cast) |
Episode Info
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Episode number: 1x2 Airdate: Sunday August 01st, 2010 Special Airtime: 08:30 pm Alternate Airdates:
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Russia
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US (
SE (
Uncredited
Recap
At a museum, Soo Lin Yao demonstrates a tea ceremony and how tea pots are aged. Another attendant, Andy Gilbraith comes over and talks to her, and Soo Lin notes that the pots are cracking. Andy asks her out for a drink, but Soo Lin says he wouldn't like her that much. She refuses Andy's invitation and tells him to stop asking...Read the full recap
Episode Notes
The blue "Chinese cypher" Watson observes in the second to last scene but doesn't tell Holmes about has no connection to Chinese numerology.
Episode Quotes
Sherlock: You took your time.
John: Yeah, I didn't do the shopping.
Sherlock: What? Why not?
John: Because I had a row in the shop with a chip and pin machine.
Sherlock: You had a row with a machine?
John: Sort of. It sat there and I shouted abuse.
John: Yeah, I didn't do the shopping.
Sherlock: What? Why not?
John: Because I had a row in the shop with a chip and pin machine.
Sherlock: You had a row with a machine?
John: Sort of. It sat there and I shouted abuse.
John: Is that my computer?
Sherlock: Of course.
John: What?
Sherlock: Mine was in the bedroom.
John: What, and you couldn't be bothered to get up? It's password protected.
Sherlock: In a manner of speaking. Took me less than a minute to guess yours. Not exactly Fort Knox.
Sherlock: Of course.
John: What?
Sherlock: Mine was in the bedroom.
John: What, and you couldn't be bothered to get up? It's password protected.
Sherlock: In a manner of speaking. Took me less than a minute to guess yours. Not exactly Fort Knox.
Sherlock: I said could you pass me a pen?
John: What, when?
Sherlock: About an hour ago.
John: Didn't notice I'd gone out then?
John: What, when?
Sherlock: About an hour ago.
John: Didn't notice I'd gone out then?
John: Where are we headed?
Sherlock: I need to ask some advice.
John: What? Sorry?
Sherlock: You heard me perfectly; I'm not saying it again.
John: You need advice.
Sherlock: I need to ask some advice.
John: What? Sorry?
Sherlock: You heard me perfectly; I'm not saying it again.
John: You need advice.
DI Dimmock: Your friend...
John: Listen, whatever you say, I'm behind you 100%
DI Dimmock: He's an arrogant sod.
John: Well, that was mild. People say a lot worse than that.
John: Listen, whatever you say, I'm behind you 100%
DI Dimmock: He's an arrogant sod.
John: Well, that was mild. People say a lot worse than that.
Sherlock: I'd stick with the pasta. Don't want to be doing roast pork, not if you're slicing up cadavers.
Molly Hooper: What are you having?
Sherlock: Don't eat when I'm working. Digesting slows me down.
Molly Hooper: What are you having?
Sherlock: Don't eat when I'm working. Digesting slows me down.
DI Dimmock: Anything else I can do? To assist you, I mean.
Sherlock: Some silence right now would be marvelous.
Sherlock: Some silence right now would be marvelous.
Sherlock: I need some air. We're going out tonight.
John: Actually, I've got a date.
Sherlock: What?
John: It's where two people who like each other go out and have fun.
Sherlock: That's what I was suggesting.
John: No, it wasn't. At least I hope not.
John: Actually, I've got a date.
Sherlock: What?
John: It's where two people who like each other go out and have fun.
Sherlock: That's what I was suggesting.
John: No, it wasn't. At least I hope not.
Sherlock: I need your help.
John: I do have a couple of other things on my mind this evening.
Sherlock: Like what?
John: You are kidding.
Sherlock: What's so important?
John: Sherlock, I'm right in the middle of a date. You want me to chase some killer while I...
Sherlock: What?
John: While I'm trying to get off with Sarah. (Sarah walks up) Hey... ready?
John: I do have a couple of other things on my mind this evening.
Sherlock: Like what?
John: You are kidding.
Sherlock: What's so important?
John: Sherlock, I'm right in the middle of a date. You want me to chase some killer while I...
Sherlock: What?
John: While I'm trying to get off with Sarah. (Sarah walks up) Hey... ready?
Shan: A book is like a magic garden carried in your pocket.
John: I'm not Sherlock Holmes!
Shan: I don't believe you.
Sherlock: You should, you know. Sherlock Holmes is nothing at all like him. How would you describe me, John? Resourceful? Dynamic? Enigmatic?
John: Late?
Shan: I don't believe you.
Sherlock: You should, you know. Sherlock Holmes is nothing at all like him. How would you describe me, John? Resourceful? Dynamic? Enigmatic?
John: Late?
Sherlock: We'll just slip off. No need to mention us in your report.
DI Dimmock: Mr. Holmes...
Sherlock: I have high hopes for you, Inspector, a glittering career.
DI Dimmock: If I go where you point me.
Sherlock: Exactly.
DI Dimmock: Mr. Holmes...
Sherlock: I have high hopes for you, Inspector, a glittering career.
DI Dimmock: If I go where you point me.
Sherlock: Exactly.
Other Episode Crew
| • Creator | Steven Moffat | Mark Gatiss |
| • Executive Producer | Steven Moffat | Mark Gatiss | Beryl Vertue |
| • Producer | Sue Vertue |
| • Production Designer | Arwel Wyn Jones |
| • Editor | Mali Evans |
| • Line Producer | Kathy Nettleship |
| • First Assistant Director | Nige Watson |
| • Second Assistant Director | Ben Howard (1) |
| • Music | David Arnold | Michael Price |
| • Costume Designer | Sarah Arthur |
| • Make-up | Amy Riley | Sarah Ashley-hughes |
| • Grip | Dan Inman |
| • Camera Operator | Mark Milsome |
| • Location Manager | Peter Tullo | Nicky James |
| • Property Master | Nick Thomas |
| • Script Supervisor | Llinos Wyn Jones |
| • Production Coordinator | Ceri Hughes |
| • Assistant Editor | Lee Bhogal |
| • Post Production Supervisor | Sam Lucas |
| • Supervising Sound Editor | Doug Sinclair (2) |
| • Gaffer | Llyr Evans |
| • On-Line Editor | Scott Hinchcliffe |
| • Director of Photography | Steve Lawes |
| • Stunts | Willie Ramsay | Nrinder Dhudwar | Mark Archer | James Embree | Marcus Shakesheff |
| • Stunt Coordinator | Lee Sheward | Andreas Petrides | Marc Cass |
| • Art Director | Dafydd Shurmer |
| • Based On The Works Of | Sir Arthur Conan Doyle |
| • Dubbing Mixer | Alan Snelling |
| • Sound Recordist | Richard Dyer |
| • Costume Supervisor | Ceri Walford |
| • Boom Operator | John Hagenstede |
| • Production Accountant | Elizabeth Walker |
| • Clapper Loader | Emma Friend | Chris Williams (4) |
| • Props | Julia Challis | Dewi Thomas |
| • Camera Assistant | Clare Connor |
| • Sound Assistant | Glyn Hamer |
| • Wardrobe Assistant | Louise Martin |
| • Best Boy | Paul Jarvis |
| • Special Effects Supervisor | Danny Hargreaves |
| • Colorist | Kevin Horsewood |
| • Focus Puller | Martin Scanlan | James Scott (2) |
| • Casting Director | Kate Rhodes James |
| • Sound Effects Editor | Jeremy Child (2) |
| • Production Buyer | Sue Jackson Potter |
| • Standby Art Director | Tom Pearce |
| • Executive Producer For BBC | Bethan Jones |
| • Production Team | Janine H. Jones | Harry Bunch |
| • 3rd Assistant Director | Barry Phillips |
| • Hair & Make-up Design | Claire Pritchard |
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