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Terminator: The Sarah Connor Chronicles: Good Wound
The wound from the gunshot causes Sarah to experience hallucinations of Kyle Reese. Derek begins to clean up the incriminating evidence Sarah left behind. John Henry makes several discoveries to the surprise of both James and Catherine. John struggles with his responsibilities towards Riley.
| 7.6/10 (39 Votes cast) |
Episode Info
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Episode number: 2x14 Production Number: 3T7314 Airdate: Friday February 13th, 2009 Alternate Airdates:
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UK (
NL (
Main Cast
Recap
Sarah awakens in a hospital, her gunshot wound has been bandaged. She is being given blood through an IV. She notices the doctor's chart lying on a table and reads that she is listed as unidentified. Through a partially open door, she sees and hears a deputy speaking with a nurse. She hears a voice telling her to get to her feet. She pulls the IV out and collapses in pain when suddenly she hallucinates and sees Kyle Reese, the man who came back through time and who is the father of her son. The hallucination directs her to call “him” to help her, since she still has the bullet in her leg and she needs backup. Sarah thinks he means John but Kyle keeps saying “him”...Read the full recap
Episode Notes
Zeria Corp has acquired 7% of the known supply of Coltan.
Episode Quotes
Kyle Reese: (to Sarah) Come with me if you want to live.
Derek: What the hell were you thinking, bringing her to the hospital? There's social workers, cops... I can't believe you brought her here.
John: I made the call, live with it.
John: I made the call, live with it.
Derek: How bad is your leg?
Sarah: There's evidence of me all over the jeep, all over everything. Burn it, burn it all.
Sarah: There's evidence of me all over the jeep, all over everything. Burn it, burn it all.
Derek: (to John) You stay, I'll go. You made your call, this is what living with it means. She'll be fine.
Sarah: (to Kyle) We're all out of our time. We're all lost and John is all any of us have.
Sheriff Alvan McKinley: (talking about Sarah) Most people can't even get that needle out, let alone break that window or choke out a deputy. She is as they say accustomed to her circumstance.
Riley: You're here too?
Cameron: Of course, I'm worried about you.
Cameron: Of course, I'm worried about you.
John: You know me in the future. What would future me do?
Cameron: You mean about Riley?
John: Yeah, what would future me do right now?
Cameron: Future you has more important things to do.
Cameron: You mean about Riley?
John: Yeah, what would future me do right now?
Cameron: Future you has more important things to do.
John Henry: You're not human.
Catherine: Excuse me?
John Henry: You're not human, you're made of metal. Not the same metal as I am, but metal.
Catherine: How can you tell?
John Henry: I looked into your eyes, there's nothing there.
Catherine: Excuse me?
John Henry: You're not human, you're made of metal. Not the same metal as I am, but metal.
Catherine: How can you tell?
John Henry: I looked into your eyes, there's nothing there.
John Henry: Miss Weaver?
Catherine: Yes?
John Henry: What are you doing?
Catherine: I can't answer that right now. But know this John Henry, everything I do, I do for you.
Catherine: Yes?
John Henry: What are you doing?
Catherine: I can't answer that right now. But know this John Henry, everything I do, I do for you.
Episode References
John Henry: (to James) This body appeared in Red Valley, New Mexico in 1999. It had a different appearance then.
In episode 1x01, Pilot, Cromartie (John Henry) made his first attempt to kill John Connor.
In episode 1x01, Pilot, Cromartie (John Henry) made his first attempt to kill John Connor.
John Henry: (to James) In 2007 it kidnapped Dr. Alistair Fleming, forced him to regrow it's organic covering.
In episode 1x03, The Turk, Cromartie (John Henry) reassembles himself but needs assistance with the skin.
In episode 1x03, The Turk, Cromartie (John Henry) reassembles himself but needs assistance with the skin.
Other Episode Crew
| • Executive Producer | Andrew Vajna | John Wirth | Josh Friedman (1) | Joel Michaels | James Middleton | Mario Kassar |
| • Co-Executive Producer | Toni Graphia | Natalie Chaidez |
| • Producer | Jill Lopez Danton |
| • Co-Producer | Jessie Ward Dugan | Hilton Smith | Ashley Edward Miller | Zack Stentz |
| • Production Designer | Marek Dobrowolski |
| • Editor | Vikash Patel |
| • Casting | Bonnie Zane | Gayle Pillsbury |
| • Unit Production Manager | Hilton Smith |
| • First Assistant Director | Nina Jack |
| • Second Assistant Director | Dan Lazarovits |
| • Music | Bear McCreary |
| • Music Editor | Michael Baber |
| • Costume Designer | Amanda Friedland |
| • Hairstylist | Ketty Gonzalez |
| • Set Decorator | Ryan Welsch |
| • Property Master | Scott A. Buckwald |
| • Supervising Sound Editor | Jon Mete |
| • Re-Recording Mixer | Gary D. Rogers | Dan Hiland |
| • Director of Photography | Stephen Collins (2) |
| • Stunt Coordinator | Joel Kramer |
| • Art Director | Matthew C. Jacobs (1) |
| • Sound Mixer | Richard Mercado |
| • Special Makeup Effects Artist | Robert Hall (1) |
| • Visual Effects Supervisor | James Lima |
| • Special Effects Supervisor | Steve Galich |
| • Original Casting | Sarah Katzman | Lisa Beach |
| • Second Unit Director | Joel Kramer |
| • Based On Characters Created By | Gail Anne Hurd | James Cameron |
| • Makeup Artist | Harriette Landau |
| • "B" Camera Operator | Joseph D. Urbanczyk |
| • Second Unit Director Of Photography | Joseph D. Urbanczyk |
| • Developed For Television By | Josh Friedman (1) |
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