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Torchwood: Rendition
After the team are reunited, Jack ends up realising that he is now the most vulnerable person on the planet. A trip to America by plane ends up turning into a desperate battle to stay alive.
| 8.8/10 (8 Votes cast) |
Episode Info
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Episode number: 4x2 Airdate: Thursday July 21st, 2011 Alternate Airdates:
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US (
CA (
Guest Stars
Co-Guest Stars
Main Cast
Recap
Rex and his people take Jack, Gwen, and Rhys to Heathrow. As they arrive, Rex removes Jack’s vortex manipulator even though he doesn’t know what it is. The CIA agent then discovers that another agent, Lyn Peterfield, has been sent to assist over his objections. Meanwhile, Gwen asks Jack about the cut on his arm and figures that Miracle Day has something to do with him. However, Rhys figures that it’s a case of reversal. Rex interrupts them to have Gwen and Jack placed on the CIA private jet while the authorities release Rhys and Anwen. As she’s hauled on board, Gwen vows that she’ll come back...Read the full recap
Episode Quotes
Gwen: They can't do this! I'm a British citizen on British soil.
Rhys: Yeah? Well, you've been too busy watching aliens. The fact is the Americans have been getting away with this for years.
Rex: Hey hey hey hey, what is that supposed to be? Criticism? What are you gonna do, write your MP?
Rhys: Yeah? Well, you've been too busy watching aliens. The fact is the Americans have been getting away with this for years.
Rex: Hey hey hey hey, what is that supposed to be? Criticism? What are you gonna do, write your MP?
Rex: No no no. This operation is mine. I thought of it. It's my idea, my execution.
Lyn Peterfield: You want to piss on the plane? Make that yours too?
Lyn Peterfield: You want to piss on the plane? Make that yours too?
Gwen: How's that cut on your arm?
Jack: I'll survive. I'm mortal, not dying. Well, technically I guess I am dying, but slowly.
Jack: I'll survive. I'm mortal, not dying. Well, technically I guess I am dying, but slowly.
Gwen: This thing that's happening to the world, this miracle. It must have something to do with you.
Jack: Great, so it's my fault.
Gwen: Can't be a coincidence, Jack.
Rhys: Of course it's not coincidence. Doesn't mean to say it's his fault.
Jack: Rhys, are you defending me?
Rhys: Well, actually it all got switched, didn't it? Nothing to do with Jack if the wires got crossed. Everything mortal becomes immortal. so everything immortal becomes mortal. See? I can be useful.
Jack: Great, so it's my fault.
Gwen: Can't be a coincidence, Jack.
Rhys: Of course it's not coincidence. Doesn't mean to say it's his fault.
Jack: Rhys, are you defending me?
Rhys: Well, actually it all got switched, didn't it? Nothing to do with Jack if the wires got crossed. Everything mortal becomes immortal. so everything immortal becomes mortal. See? I can be useful.
Rex: It's, uh, Danny, right? Now, listen, I'm not gay, but, uh, I'll let you feel me up if you go get me a vodka.
Danny: Oh, I'm not gay either.
Rex: All right then, well, I'll let you feel her up if you get me a vodka.
Danny: Oh, I'm not gay either.
Rex: All right then, well, I'll let you feel her up if you get me a vodka.
Gwen: I started to think it'd be like some kind of fairy tale. It'd be an old woman and you'd just turn up out of the blue, visit my granddaughter. I'd be ancient and you'd be exactly the same. Where did you go, Jack?
Jack: A long way away.
Gwen: And did it help?
Jack: A long way away.
Gwen: And did it help?
(examining Jack's vortex manipulator)
Rex: Hey, lovebirds. Let me ask you a question. What the hell is this thing? Huh? All it does is go bleep.
Jack: So give it back to me.
Rex: Yeah, I'm sure you'd like that. What does it do, measure how mortal you are?
Jack: Still don't believe me?
Rex: Please.
Jack: The whole world can't die, but I'm the one who's being ridiculous.
Rex: Hey, lovebirds. Let me ask you a question. What the hell is this thing? Huh? All it does is go bleep.
Jack: So give it back to me.
Rex: Yeah, I'm sure you'd like that. What does it do, measure how mortal you are?
Jack: Still don't believe me?
Rex: Please.
Jack: The whole world can't die, but I'm the one who's being ridiculous.
Rex: Dr. Juarez, it's your favorite patient here and you have something that I want.
Dr. Vera Juarez: You sound like my ex-husband.
Rex: Really? So does he call wanting drugs and sex?
Dr. Vera Juarez: Yes.
Rex: Good man. But for now I'll just settle for the drugs.
Dr. Vera Juarez: You sound like my ex-husband.
Rex: Really? So does he call wanting drugs and sex?
Dr. Vera Juarez: Yes.
Rex: Good man. But for now I'll just settle for the drugs.
Jack: Hey, can we have something to drink?
Danny: I am not allowed to talk to you.
Jack: Give it to us silently.
Danny: I am not allowed to talk to you.
Lyn Peterfield: They can have water. It's okay, I can supervise it.
Jack: Water? I'm American, too. Can't I contribute to our global cultural hegemony with a nice frosty cola?
Danny: I am not allowed to talk to you.
Jack: Give it to us silently.
Danny: I am not allowed to talk to you.
Lyn Peterfield: They can have water. It's okay, I can supervise it.
Jack: Water? I'm American, too. Can't I contribute to our global cultural hegemony with a nice frosty cola?
Jilly Kitzinger: I'm needed in Washington. You hold onto my card, sir. Cause there's a reason the churches are empty. People don't want to hear about Heaven. They'd rather hear from a man who has gazed into Hell itself, and that's you. And frankly I think if the Devil himself were to walk this earth, he'd need representation.
Oswald: If the Devil himself walked this earth, he'd surely be working in PR.
Oswald: If the Devil himself walked this earth, he'd surely be working in PR.
Gwen: You went to supervise him, that's what you said. Supervise. Who needs supervising pouring a drink? What did you supervise, exactly?
Lyn Peterfield: So now you're accusing anyone.
Gwen: It's either you or the big gay steward. So that means only you.
Danny: I'm not gay.
Lyn Peterfield: So now you're accusing anyone.
Gwen: It's either you or the big gay steward. So that means only you.
Danny: I'm not gay.
Rex: This is the mortal man, the one I was telling you about. Seriously, I think this man can die.
Jack: Now you believe me.
Rex: You shut up.
Jack: Now you believe me.
Rex: You shut up.
Danny: Be careful, its my good tie.
Gwen: You're definitely not gay.
Danny: It was one time, okay?
Gwen: You're definitely not gay.
Danny: It was one time, okay?
Gwen: That was your last chance.
Lyn Peterfield: Yeah? What are you going to do about it? If you're the best England has to offer, God help you.
Gwen: I'm Welsh. (punches her unconscious)
Lyn Peterfield: Yeah? What are you going to do about it? If you're the best England has to offer, God help you.
Gwen: I'm Welsh. (punches her unconscious)
Rex: Hey, uh, I just remembered, there's one final piece of legislation necessary to make this a full and proper rendition. And according to recent amendments to U.S. Code Section 3184 and Section 3185 in transferring prisoners from air side to land side, the law clearly states that, ah, once they touch down on American soil, they have free and easy access to one very important thing.
Gwen: And what's that?
Rex: Bullshit.
Gwen: And what's that?
Rex: Bullshit.
Rex: Now come on and follow me.
Gwen: Hey! You get us arrested, okay? You break up my family, you nearly get Jack killed. Why should we go anywhere with you?
Rex: Because I have a car.
Gwen: Hey! You get us arrested, okay? You break up my family, you nearly get Jack killed. Why should we go anywhere with you?
Rex: Because I have a car.
Esther: What the hell was that? Was that Lyn? What the hell is going on?
Gwen: Welcome to Torchwood.
Gwen: Welcome to Torchwood.
Other Episode Crew
| • Creator | Russell T. Davies |
| • Executive Producer | Jane Tranter | Russell T. Davies | Julie Gardner (1) |
| • Co-Executive Producer | Doris Egan | Vlad Wolynetz |
| • Associate Producer | Skip Schoolnik |
| • Production Designer | Gregory Melton |
| • Editor | Padraic McKinley |
| • Casting | John Levey (1) | Melanie Burgess |
| • Unit Production Manager | Robert D. Nellans |
| • First Assistant Director | Jefferson Kibbee |
| • Second Assistant Director | Carla Bowen |
| • Music Editor | Tom Trafalski |
| • Costume Designer | Shawna Trpcic |
| • Key Grip | Isaac Chee |
| • Camera Operator | Jeff Greeley |
| • Set Designer | Arthur Chadwick |
| • Set Decorator | Natalie Pope |
| • Location Manager | Joe Akerman |
| • Transportation Coordinator | Heath Culp |
| • Property Master | Eric Bates |
| • Construction Coordinator | Chris Forster |
| • Production Sound Mixer | Julian Howarth |
| • Script Supervisor | Paula Hunziker |
| • Assistant Editor | Matt Woolley |
| • Post Production Supervisor | Kenneth Requa |
| • Supervising Sound Editor | Walter Newman | Ken Young (1) |
| • Re-Recording Mixer | Gary D. Rogers | Dan Hiland |
| • Director of Photography | Christopher Faloona |
| • Key Makeup Artist | Todd McIntosh |
| • Visual Effects Supervisor | Michael D. Leone |
| • Production Accountant | Vince Robinette |
| • Chief Lighting Technician | Don Mosley |
| • Score | Murray Gold |
| • Key Hairstylist | Susan Boyd (1) |
| • Production Executive | Shelley Stevens |
| • Special Effects Make-up | Gregory Nicotero | Howard Berger |
| • Science Advisor | John Sotos |
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