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Torchwood: Children of Earth (2)
Gwen and Ianto find themselves having to go into hiding to avoid the government squad's action against them and their respective families. Both Gwen and Ianto are worried about what has happened to Jack. Jack's body is recovered by the hit squad and he starts to regenerate. Meanwhile, the government await the 456's arrival.
| 8.7/10 (15 Votes cast) |
Episode Info
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Episode number: 3x2 Production Number: 302 Airdate: Tuesday July 07th, 2009 Alternate Airdates:
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USA
Guest Stars
Main Cast
Recap
A partially deafened Gwen recovers conscious after being thrown clear of the blast, and looks at the blast crater above the Hub. Floor 13 operatives disguised as firemen arrive and get her away from the destruction and into an ambulance. They prepare to inject her with a lethal drug under orders to make there are no survivors. Gwen fights her way free and knocks them out, takes their guns, and notices a red sighting laser on her. She jumps clear as a sniper fires from a nearby rooftop and then returns fire and gets into the ambulance cab. She drives away...Read the full recap
Episode Quotes
PC Andy: If she's anti-terrorist, I would not mind being Uncle Terrorist.
Johnson: Now do you believe (Gwen's) a terrorist?
PC Andy: She shot your wheels. What kind of terrorist shoots your wheels?
Johnson: A clever one.
PC Andy: She shot your wheels. What kind of terrorist shoots your wheels?
Johnson: A clever one.
Soldier: We're looking for Ianto Jones!
Johnny Davies: You're not going to find him in my bed, will you? I'm a married man.
Johnny Davies: You're not going to find him in my bed, will you? I'm a married man.
John Frobisher: Sir, sir. I just, um... I just, um, wanted to say how grateful I am, sir.
Brian Green: What for?
John Frobisher: Well, I know that I"m something of a middle man in these affairs, but I just wanted to thank you for trusting me with the responsibility.
Brian Green: All I've done is put you on the front line. That's what the front line's for, John. First to fall.
Brian Green: What for?
John Frobisher: Well, I know that I"m something of a middle man in these affairs, but I just wanted to thank you for trusting me with the responsibility.
Brian Green: All I've done is put you on the front line. That's what the front line's for, John. First to fall.
Gwen: You sure he's going to London?
Rhys: I don't question how you defend the world against extraterrestrial infiltration, don't you question my knowledge of the hauling industry, right?
Rhys: I don't question how you defend the world against extraterrestrial infiltration, don't you question my knowledge of the hauling industry, right?
Rhys: How are you, love?
Gwen: My best friend's belly had a bomb go off in it last night. Someone's been trying to kill us ever since. I'm travelling at 70 miles an hour on top of a bed of potatoes and I think I'm going to be sick.
Gwen: My best friend's belly had a bomb go off in it last night. Someone's been trying to kill us ever since. I'm travelling at 70 miles an hour on top of a bed of potatoes and I think I'm going to be sick.
Rhiannon Davies: Seriously, how'd you get in that state?
Ianto: A bomb. It was meant for me and the people I work with.
Rhiannon Davies: My God, why?
Ianto: I don't know.
Rhiannon Davies: What sort of civil servants are you?
Ianto: Unappreciated ones.
Ianto: A bomb. It was meant for me and the people I work with.
Rhiannon Davies: My God, why?
Ianto: I don't know.
Rhiannon Davies: What sort of civil servants are you?
Ianto: Unappreciated ones.
(to Gwen)
Colonel Camara: You don't look like an undertaker. If more undertakers looked like you, there'd be more of a demand for bereavement.
Colonel Camara: You don't look like an undertaker. If more undertakers looked like you, there'd be more of a demand for bereavement.
Episode Goofs
The block of poured and hardened concrete that Ianto removes from the cell, which was poured in to fill the entire cell, is much smaller than the cell itself, as seen in the shots of Jack earlier in the episode regenerating.
Other Episode Crew
| • Creator | Russell T. Davies |
| • Executive Producer | Julie Gardner (1) | Russell T. Davies |
| • Producer | Peter Bennett (3) |
| • Associate Producer | Catrin Lewis Defis |
| • Production Designer | Edward Thomas |
| • Editor | Philip Kloss |
| • First Assistant Director | Rhidian Evans |
| • Second Assistant Director | James Dahaviland |
| • Music | Ben Foster (3) |
| • Costume Designer | Ray Holman |
| • Make-up | Nel Batt | Hannah Proverbs |
| • Grip | Clive Baldwin |
| • Camera Operator | Alwyn Hughes | James Leigh |
| • Set Decorator | Julian Luxton |
| • Location Manager | Nicky James |
| • Production Coordinator | Claire Rutteman |
| • Assistant Editor | Carmen Sanchez Roberts |
| • Post Production Supervisor | Chris Blatchford | Helen Vallis |
| • Supervising Sound Editor | Doug Sinclair (2) |
| • Gaffer | Mark Hutchings |
| • On-Line Editor | Geraint Pari Huws | Matt Mullins (2) |
| • Director of Photography | Rory Taylor |
| • Stunt Coordinator | Tom Lucy |
| • Production Secretary | Claire Thomas |
| • Storyboard Artist | Shaun Williams |
| • Production Management | Steff Morris |
| • Assistant Producer | Brian Minchin |
| • Dubbing Mixer | Tim Ricketts |
| • Sound Recordist | Julian Howarth |
| • Third Assistant Director | David Chalstrey |
| • Costume Supervisor | Lindsay Bonaccorsi |
| • Boom Operator | Jeff Welch |
| • Main Title Theme | Murray Gold |
| • Visual Effects Supervisor | Barney Curnow |
| • Production Accountant | Ceri Tothill | Carole Wakefield |
| • Camera Assistant | Jon Vidgen | Tom Hartley |
| • Sound Assistant | Bryn Thomas |
| • Best Boy | Steve Slocombe |
| • Casting Associate | Andy Brierley |
| • Visual Effects Producer | Marie Jones (3) |
| • Special Effects Supervisor | Ben Ashmore |
| • Production Executive | Julie Scott (2) |
| • Unit Manager | Rhys Griffiths |
| • Colorist | Jon Everett |
| • Continuity | Non Eleri Hughes |
| • Focus Puller | James Southcott | Steve Rees |
| • Runner | Nicola Brown (2) | Tom Evans (2) | Alison Jones |
| • Casting Director | Andy Pryor |
| • Standby Art Director | Arwel Wyn Jones |
| • Construction Manager | Matthew Hywel-Davies |
| • Sound Special Effects Editor | Howard Eaves |
| • Make-up Designer | Marie Doris |
| • Assistant Location Manager | Gareth Skelding |
| • Make-up Supervisor | Abi Brotherton |
| • Chief Supervising Art Director | Stephen Nicholas |
| • Props Master | Stuart Wooddisse |
| • Costume Assistant | Sara Morgan | Gemma Evans |
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