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Warehouse 13: Reset (2)
Helena's trail takes Pete and Myka from Paris to Wyoming, and they realize that she has obtained an artifact of vast destructive power... and plans to use it to destroy humanity. Meanwhile, Kelly encounters an artifact for the first time.
| 8.2/10 (35 Votes cast) |
Episode Info
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Episode number: 2x12 Airdate: Tuesday September 21st, 2010 Alternate Airdates:
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UK (
Main Cast
Recap
Pete and then Myka wake up inside of Warehouse 2, and discover that Helena set off a self-preservation system when she left. Sand is flooding into the building. With time running out, the agents spot a hatch in the roof and look for an artifact to fly up to it. They locate the Wings of Daedalus and Pete dons them, and then flies Myka up to the hatch. They try to open it using the handle but it breaks off. They get a signal on the Farnsworth and Artie warns them that Helena is a bad guy. He then tells them to close their eyes and signs off. Suddenly the hatch opens as Artie, waiting above, uses an artifact. Once the agents are outside, Artie explains that he tracked their signal, came to Egypt, and reset the signal to avoid Helena's scrambler...Read the full recap
Episode Quotes
Myka: Okay, these wings were probably designed by Daedalus. He was the father of...
Pete: Icarus. Ha, even I know that one.
Myka: Turn around.
Pete: Why me? You're the one who eats like a bird.
Myka: Well, just don't get us too close to the sun, okay?
Pete: They smell.
Pete: Icarus. Ha, even I know that one.
Myka: Turn around.
Pete: Why me? You're the one who eats like a bird.
Myka: Well, just don't get us too close to the sun, okay?
Pete: They smell.
Pete: (flying) Can you imagine watching a Browns game like this?
Myka: Yeah, I bet that's exactly what Daedalus had in mind.
Myka: Yeah, I bet that's exactly what Daedalus had in mind.
Artie: I don't know about spears, but I can tell you resurrection is a dangerous practice and always comes at a price.
Pete: Yeah, look at Mickey Rourke.
Pete: Yeah, look at Mickey Rourke.
Artie: All right, Pete, Myka, you go to Paris. Claudia, you try to find exactly where Christina is buried. I will do research on spears. Mrs. Frederic... (realizes she's disappeared again) will just be Mrs. Frederic.
Pete: Okay, I said it. Yes, I even said it first. So go ahead, make fun.
Myka: I'm really glad you found someone, Pete. You deserve it.
Pete: Okay, now I really feel like a girl.
Myka: Well, hike up your skirt, 'cause we got a bad guy to catch.
Pete: Boo-yah.
Myka: I'm really glad you found someone, Pete. You deserve it.
Pete: Okay, now I really feel like a girl.
Myka: Well, hike up your skirt, 'cause we got a bad guy to catch.
Pete: Boo-yah.
Artie: Sorry, sorry. I thought, you know, handling some ancient spears would trigger a notion, but...
Claudia: Okay, well, I'm sorry to interrupt you while you're handling your ancient spear, but I found Christina's gravesite.
Claudia: Okay, well, I'm sorry to interrupt you while you're handling your ancient spear, but I found Christina's gravesite.
Claudia: Uh, Artie, can I talk to you about something?
Artie: Will it make me old and uncomfortable?
Claudia: Not this time.
Artie: All right, go on.
Artie: Will it make me old and uncomfortable?
Claudia: Not this time.
Artie: All right, go on.
Pete: H.G.'s probably already here.
Myka: Good, first time, shame on her. Second time, I'm bringing that bitch down.
Pete: I love it when you talk dirty.
Myka: Good, first time, shame on her. Second time, I'm bringing that bitch down.
Pete: I love it when you talk dirty.
Pete: She sent me some pictures... with her and a little puppy. Look, she's powdering its nose. Look at the little puppy. Okay, it's official. I'm a girl.
Pete: H.G. has a huge advantage, Myka. She's willing to lie, steal, and kill to get what she wants, and we're not. So I'm gonna side with us on this one. With you.
Helena: For such a mediocre kisser, I'd have thought you'd at least have brains.
Pete: Yeah, well, you taste about as old as you are, so right back at you, grandma.
Pete: Yeah, well, you taste about as old as you are, so right back at you, grandma.
Claudia: Are you gonna die on us every year? 'Cause it's getting kind of boring.
Artie: I'm gonna keep dying until it takes, or not.
Artie: I'm gonna keep dying until it takes, or not.
Artie: Hey, hey, hey, hey, hey, hey, kiddo. Hey. I plan on making your life hell for a very long time.
Claudia: Can I hug you?
Artie: Maybe later in the week.
Claudia: Can I hug you?
Artie: Maybe later in the week.
Pete: I've been, unm... trying to figure out ways to simplify my life, and it all boils down to three words. "Quit your job, Pete." Four words
Myka: Mm-hmm.
Pete: I wasn't counting Pete.
Myka: Mm-hmm.
Pete: I wasn't counting Pete.
Myka: (her resignation letter) Artie, it breaks my heart to write this. We both know the warehouse is my happiest place. I've thought a lot about this and I can't stay here. If I do, I'll second-guess myself into oblivion. Please forgive me, but I have to go. Pete, you're the big brother I never had. I wish I had your strength. I know I frown at you and punch you a lot, but I'll always love you a lot. Please be careful. Leena, you're the only mom they have. Watch over them, and make sure that Artie eats right. Claudia, take care of Pete and Artie. Let's face it, you're the only real adult in the group. I wish I could be there to see you grow into the amazing woman you're going to become. I love you all, Myka.
Episode Goofs
The lawyer's pant legs have tar on them before he steps into the tar and it grows up over his legs.
Cultural References
Pete: Artie, who are you, Jerusalem Jones?
Comparing Artie, in his jacket and fedora, to famous fictional adventurer Indian Jones in four movies.
Comparing Artie, in his jacket and fedora, to famous fictional adventurer Indian Jones in four movies.
Claudia: Hang back there, Pointer Sister.
The Pointer Sisters are Anita, June, and Ruth Pointer, who formed a singing trio and hit the height of their popularity in the 80s with songs like "I'm So Excited," "Jump (for my love), and "Neutron Dance."
The Pointer Sisters are Anita, June, and Ruth Pointer, who formed a singing trio and hit the height of their popularity in the 80s with songs like "I'm So Excited," "Jump (for my love), and "Neutron Dance."
Pete: Well, what, are you calling, to play a little game of Let's Make a Deal?
Let's Make a Deal was a popular game show that involved host Monty Hall making outrageous deals for unseen prizes.
Let's Make a Deal was a popular game show that involved host Monty Hall making outrageous deals for unseen prizes.
Other Episode Crew
| • Creator | D. Brent Mote | Jane Espenson |
| • Executive Producer | David Simkins | Jack Kenny (1) |
| • Co-Executive Producer | Andrew Kreisberg | Nell Scovell | Drew Z. Greenberg |
| • Supervising Producer | Stephen Surjik |
| • Producer | Mark Winemaker |
| • Associate Producer | Andrew Seklir | Gregg Tilson |
| • Production Designer | Franco De Cotiis |
| • Editor | Andrew Seklir |
| • Casting | Robin D. Cook | Ty Harman | Suzanne Goddard-Smythe (1) |
| • First Assistant Director | Woody Sidarous |
| • Second Assistant Director | Karl Irvine |
| • Music | Edward Rogers |
| • Music Editor | Ben Zales |
| • Music Supervisor | Alicen Catron Schneider | Stacy Wallen-McCarthy |
| • Costume Designer | Joanne Hansen |
| • Property Master | Kerry Spurrell |
| • Production Coordinator | Lisa Perone |
| • Assistant Editor | Seagan Ngai |
| • Post Production Supervisor | Kenny Micka |
| • Supervising Sound Editor | Daniel Colman | Jack Levy (1) |
| • Re-Recording Mixer | Peter Nusbaum | John W. Cook II (1) |
| • On-Line Editor | Pete Fausone |
| • Director of Photography | Michael McMurray |
| • Story Editor | Benjamin Raab | Deric A. Hughes |
| • Art Director | Michele Brady |
| • Assistant Production Coordinator | Terri Ann Myers |
| • Post Production Coordinator | Katie Lilly |
| • Production Management | Ted Miller (2) |
| • Executive Story Editor | Robert Goodman |
| • Costume Supervisor | Maria Fermo |
| • Key Makeup Artist | Maribeth Knezev |
| • Visual Effects Supervisor | Clint Green |
| • Production Accountant | Karen Colaco |
| • "A" Camera Operator | David Towers |
| • Visual Effects Producer | Darren Cranford |
| • Key Hairstylist | Susan Exton-Stranks |
| • Sound Design | Jeff K. Brunello | Daniel Colman |
| • First Assistant Art Director | Hamish Buchanan |
| • "B" Camera Operator | Iain Baird |
| • Visual Effects Project Manager | Dennis Temprile |
| • Key Gaffer | Ira Cohen |
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