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Bret Maverick: The Not So Magnificent Six

Six gunmen accompany a pulp writer to Sweetwater in hopes of winning fame by being the one to kill Bret Maverick.


7/10 (1 Vote cast)

Episode Info


Episode number: 1x11
Production Number: 167511
Airdate: Tuesday March 02nd, 1982

Director: Leo Penn
Story: Shel Willens
Teleplay: Geoffrey Fischer


Special Guest Stars
Stuart MargolinStuart Margolin
As Philo Sandeen
Recurring

Guest Stars
Ed BakeyEd Bakey
As Deacon Tippett
Recurring
Joseph SirolaJoseph Sirola
As Nimrod Bligh
Kelly WardKelly Ward
As Willie Trueblood
Jesse VintJesse Vint
As Tulsa Jack Turner
Kario SalemKario Salem
As Virgil LaFleur
Ross HagenRoss Hagen
As Cole Farnsworth
Art LaFleurArt LaFleur
As Cockeye Pete Shonsey

Co-Guest Stars
Jack GarnerJack Garner
As Jack the Bartender
Recurring
Luis DelgadoLuis Delgado
As Shifty Delgrado
Recurring
David Banks (3)David Banks (3)
As Sam Durham
Recurring
Tommy Bush (1)Tommy Bush (1)
As Deputy Sturgess
Recurring
Shawn StevensShawn Stevens
As Sidney Bent
Joseph Chapman (1)Joseph Chapman (1)
As Jasper Weems
Main Cast
James GarnerJames Garner
As Bret Maverick
Ed BruceEd Bruce
As Tom Guthrie
Richard Hamilton (1)Richard Hamilton (1)
As Cy Whittaker
John ShearinJohn Shearin
As Sheriff Mitchel Dowd
David KnellDavid Knell
As Rodney Catlow
Darleen CarrDarleen Carr
As Mary Lou "M.L." Springer

Recap

Pulp novelist Nimrod Bligh approaches his publisher, Sam Durham, and tries to get work. Sam points out that the public wants real-life stories, and Bligh offers to write about Bret Maverick. Bligh is confident that he can do a real-life story about Bret, filled with action and danger, even after Sam points out that the gambler has settled...

Read the full recap
Episode Quotes
Pappyism: You wanna know what's goin' on in a pack rat's mind, you just find out what he hides with his loot.

Shifty Delgrado: New brand of cards? How come, boss?
Tom: Simpler design, Shifty, harder to mark.

Cy: Well, uh, thanks for helpin' out, son, you did a fine job. But… here… here's $2.
Willie Trueblood: Oh, no. I can't accept cash money.
Bret : Son, you're gonna find a fortune pretty hard to come by with that kinda attitude.

Mary Lou: Good morning, Bret.
Bret: That’s your opinion.

Virgil LaFleur: Sorry, but only the crude are punctual.

Willie Trueblood: Well, I don't expect no wages, Mr. Guthrie. Just a place to sleep and, uh, a meal a day.
Bret: You can't bank sleepin' and meals.

Bret: You know, Tom, uh, somebody took a shot at me out at the ranch today - and if it hadn't been for that boy, you'd be the sole owner of this place.
Tom: Any idea who did it?
Bret: Well, I started makin' out a list - ran outta paper.

(about the gunslingers in town)
Bret: You know, usually that many vultures just don't come to rest on the same branch.

Dowd: You know, Maverick, you haven't exactly endeared yourself to the people of this town. And that little rodeo of yours didn't help any. There's over a hundred dollars worth of damage and it must be paid.
Bret: You must have a fortune tied up in earwax. You don't hear too good, do you?
Dowd: My job is to protect distinguished visitors from the likes of you. Mr. Bligh is a respected writer. As long as he's a guest in our town I don't want him harassed. Now, we'll check into this, uh… uh, Tul… Tulsa Jack. But unless you have some proof, you stay away from Mr. Bligh.
Bret: All right, all right. But, you better start makin' some room for bodies. And God help you if one of 'em turns out to be mine.

Bret: You've conned everyone into thinking that you're here to research a book. That book's about me, isn't it? And one of those poor latrine lizards who thinks he's gonna have his name remembered.

Nimrod Bligh: Mr. Maverick, that's pure conjecture on your part. But, even if it were true, uh, what could you do, have me arrested? On what charges? Run me out of town? And even then, do you think that would stop the wheels already in motion?
Bret: They'll be no more friendly chats. The next time somebody tries to kill me, I'm comin' straight for you.
Nimrod Bligh: You know, it's interesting that your fantasy doesn't include your own demise.
Bret: It's a funny thing about wheels in motion. You really think that you're the only one with a killer in his back pocket, don't you?

Bret: Willie… Willie, there are two times when it's best not to tap a man on the back. The first time is when he's heeding nature's call and the other… is when the hair on the back of his neck is standin' straight up.

Bret: He's tryin' to have me killed.
Mary Lou: What? If you mean Uncle Nimrod…
Bret: He's also so crooked he has to screw on his boots.
Mary Lou: Don't be ridiculous, Maverick. The man is just here doing research.
Bret: All right, you have it your way. But, when it comes time to photograph the body, th… (points) this is my best side.

Cy: Maverick, come on home. We'll make a stand at the ranch. I got enough supplies to last for a month.
Bret: Oh, do you think you and I'd last a month, just you and me jabberin' at each other?

Philo Sandine: My book. When am I gonna be hearing from you?
Nimrod Bligh: Oh, yes, the book. Well, I must say it's not without merit, Mr. Sandine. In fact, last night, I used most of it to… to start a fire in my stove

Nimrod Bligh: Go on, boy. Inside of a week, everyone in this territory will know your name.
Bret: Yeah, go ahead, Willie. Just don't pay any attention to the fact that I'm unarmed. Nobody's gonna know, he won't write it that way. Once you get used to… livin' on the run, Willie, you're just gonna love fame. 'Course, you're gonna have to learn to watch your back, and people who call you friend - and they'll always be snakes like Bligh to set you up, but… you'll get used to it. Hell, you can get used to anything.

(to the cow in his cellar room)
Philo: Now, you walk up those stairs, or you go outta here piece by piece - flank, rump and filet mignon. You call it. (the cow stares him down)



Other Episode Crew

Executive ProducerMeta Rosenberg
Supervising ProducerGordon Dawson
ProducerChas Floyd Johnson
Associate ProducerMark Horowitz
EditorPaul H. Dixon (1)  |  Clay Bartels
CastingDodie McLean
Unit Production ManagerSam C. Freedle
First Assistant DirectorLeonard Garner
Second Assistant DirectorDon Wilkerson
MusicJ. A. C. Redford  |  Murray MacLeod
Music EditorJay Alfred Smith
HairstylistCharlotte Harvey
Make-upCharlene Roberson
Set DecoratorRobert L. Zilliox
Property MasterWilliam Fannon
Director of PhotographyFrank Thackery
Art DirectorScott T. Ritenour
Sound MixerCharlie King (3)
Special EffectsLarry L. Fuentes
Costume SupervisorLe Dawson
Main Title ThemeGlenn Ray  |  Patsy Bruce  |  Ed Bruce
Main Title GraphicsRon Grover
Executive Story ConsultantLee David Zlotoff
Sound Effects EditorLarry Kaufman
Assistant To The StarMaryann Rea
Main Title Theme Performed ByEd Bruce
Developed ByGordon Dawson
 

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