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Episode number: 1x7 Production Number: 107 Airdate: Saturday November 09th, 1996 |
| • Creator | Christopher Chacon  | Peter Aykroyd (1)  | Peter Ventrella |
| • Executive Producer | Peter Aykroyd (1)  | Christopher Chacon  | Seaton McLean  | James Nadler |
| • Producer | John Calvert |
| • Production Designer | Jacques M. Bradette |
| • Editor | Don Cassidy |
| • First Assistant Director | Luc Chalifour  | Ross Clyde |
| • Second Assistant Director | Joanne Tickle  | Ron Oxley |
| • Costume Designer | Sherry McMorran |
| • Grip | Peter Schalakowskyj |
| • Key Grip | Tim Sauder |
| • Camera Operator | Andrew Potter |
| • Set Decorator | Justin Craig |
| • Location Manager | Jeremy Gauthier |
| • Transportation Coordinator | Frank Mizzi |
| • Property Master | Dan Bezaire |
| • Production Coordinator | Sabine Graham |
| • Assistant Editor | Vanda Schmockel |
| • Post Production Supervisor | Jane Crust |
| • Gaffer | Tom Durnan |
| • On-Line Editor | Paul Deakin |
| • Other | Ruth Dyer (Atlantis Publicity)  | Owen Smith (1) (Dolly Grip)  | Mike Billard (Driver Captain)  | Shari Scharfer (Executive In Charge for the CanWest Global System)  | Walter Klassen (Gator Bear Builder)  | Sean Skarupa (Genny Operator)  | Bill Kelly (Honeywagon Driver)  | Pam Wilson (Los Angelos Coordinator)  | Randy Dodlin (Prosthetics) |
| • Director of Photography | Michael McMurray |
| • Assistant Production Coordinator | Linda Hamilton (2) |
| • Post Production Coordinator | Carolyne McLean |
| • Production Manager | Sherri Saito |
| • Sound Mixer | Lou Solakofski  | Jack Herren |
| • Special Effects | Laird McMurray |
| • Executive Story Editor | Will Dixon (1) |
| • Sound Recordist | Bill McMillan |
| • Third Assistant Director | Trevor Fischer |
| • Consultant | Kevin W. Juergensen |
| • Boom Operator | Matthew Stark |
| • Key Makeup Artist | Ava Stone |
| • Production Accountant | Anne Marie Cormier |
| • Extras Casting | Donna Dupere |
| • Clapper Loader | Sara Pickett (1) |
| • Set Dresser | Cat Heaven |
| • Wardrobe Assistant | Sidney Sproule  | Alexia Klysh |
| • Location Manager Assistant | Chris Shaw |
| • Best Boy | Scott Mackinnon |
| • Key Hairstylist | Katarina Chovanec |
| • Composer | Louis Natale |
| • Electrician | Tim Bewcyk |
| • Colorist | Lorraine Grant  | Lex Batten |
| • Assistant To The Executive Producer | Martha Mansfield  | Lynn Klepadlo |
| • Assistant Costume Designer | Leonie Reid |
| • Continuity | Daniela Saioni |
| • Focus Puller | Cudah Andarawewa |
| • Assistant Accountant | Daniela Zomparelli |
| • Assistant Sound Editor | Cailey Milito  | Ronayne Higginson |
| • Prop Buyer | Helen Field |
| • Driver | Fran Hendry |
| • Casting Director | Clare Walker |
| • Sound Effects Editor | Mark Gingras |
| • Technical Advisor | Douglas Davies  | Alan J. Henderson  | John R. Pori |
| • Senior Story Editor | Damian Kindler |
| • Assistant Story Editor | Alex Pugsley |
| • Lead Set Dresser | Pat O'Neil |
| • Lead Props | John Morrison |
| • First Assistant Art Director | Susie Mah |
| • Second Assistant Art Director | Shawn Thomas (1) |
| • Location Production Manager | Joe Daly |
| • Wardrobe Mistress | Monica Weir  | Patricia Hanley Cummings |
| • Best Boy Grip | François Balcaen |
| • Head Driver | Mac Day |
| • Production Controller | Anna Falsetta |
| • Business Affairs | Randi Kirshenbaum |
| • Dialogue Editor | Dale Sheldrake |
| • Composer | Robert Armes |
| • Trainee Assistant Director | Bryn Caron |