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Episode number: 3x3 Production Number: 303 Airdate: Sunday October 11th, 1998 |
| • Creator | Christopher Chacon  | Peter Aykroyd (1)  | Peter Ventrella |
| • Developer | James Nadler |
| • Executive Producer | Peter Aykroyd (1)  | Christopher Chacon  | Seaton McLean  | James Nadler |
| • Producer | David N. Rosen |
| • Consulting Producer | Rick Drew |
| • Associate Producer | Caird Urquhart  | Matt Frewer |
| • Production Designer | Gordon Barnes (2) |
| • Editor | Don Cassidy |
| • First Assistant Director | Luc Chalifour |
| • Second Assistant Director | Derby Crewe |
| • Music | Louis Natale |
| • Costume Designer | Sherry McMorran |
| • Grip | Brian Hill (4)  | Nick Swyntuch |
| • Key Grip | Harper Forbes |
| • Camera Operator | Colin Hoult |
| • Set Decorator | George Venckus |
| • Location Manager | Avi Federgreen |
| • Transportation Coordinator | Al Paldino |
| • Property Master | Stephen Levitt |
| • Production Coordinator | Lori Pumputis |
| • Assistant Editor | Rob Mackinnon |
| • Post Production Supervisor | Paul Ackerley |
| • Gaffer | Marty Harrison |
| • On-Line Editor | Paul Deakin |
| • Other | Ruth Dyer (Atlantis Publicity)  | Harper Forbes (Dolly Grip)  | Peter Leuchter (Driver Captain)  | Shari Scharfer (Executive In Charge for the CanWest Global System)  | Pat Allan (Genny Operator)  | Richard Fowler (Legal Counsel) |
| • Director of Photography | Adam Swica |
| • Story Editor | Sarah Dodd  | Tracey Forbes |
| • Stunt Coordinator | Shelley Cook |
| • Art Director | Michelle Perkovich |
| • Post Production Coordinator | Carolyne McLean |
| • Production Manager | Neill Browne |
| • Sound Mixer | Jack Herren  | Steph Carrier |
| • Sound Recordist | Dan Daniels |
| • Third Assistant Director | Chi Fung |
| • Consultant | Kevin W. Juergensen |
| • Boom Operator | Mark McNeilly |
| • Key Makeup Artist | Deborah Williams |
| • Production Accountant | Sheila Brewer |
| • Extras Casting | Donna Dupere |
| • Props | Richard Armstrong (2) |
| • Set Dresser | John Lamont  | Donny Lamont  | Rick Gilbert |
| • Wardrobe Assistant | Susan Nycz  | Constance Buck |
| • Location Manager Assistant | Megan O'neill |
| • Best Boy | Paul Michel |
| • Key Hairstylist | Jocelyn Macdonald |
| • First Assistant Camera | Jeremy Tabarrok |
| • Composer | Louis Natale |
| • Electrician | Ronald Maltais |
| • Colorist | Bob Ablack  | Lorraine Grant |
| • Assistant Costume Designer | Leonie Reid |
| • Continuity | Bosede Williams |
| • Assistant Accountant | Gordon Mackeracher |
| • Assistant Sound Editor | Paul Virostek  | Mike Palmer |
| • Prop Buyer | Jaclyn Shoub |
| • Driver | Tom Pinteric  | Darrell Gibson  | Jack Sicluna |
| • Casting Director | Clare Walker |
| • Sound Effects Editor | Rob Betola |
| • Technical Advisor | Heather A. Cook |
| • Lead Set Dresser | Jim Lambie |
| • Lead Props | Doug Lunn |
| • First Assistant Art Director | Sean McLoughlin (1) |
| • Second Assistant Art Director | Michaela Cheyne |
| • Wardrobe Mistress | Julie O'brian  | Sidney Sproule |
| • Best Boy Grip | Jeff Smallcombe |
| • Head Driver | Shane Kitchener |
| • Business Affairs | Randi Kirshenbaum |
| • Dialogue Editor | Dale Sheldrake |
| • Trainee Assistant Director | P. J. Diaz |
| • Location Production Assistant | James Campbell (1) |
| • Assistant Coordinator | Elizabeth Ritchie |
| • Story Department Coordinator | Sheila Prescott-Vessey |
| • Second Assistant Camera | Gottfried Pflugbeil |
| • Project Coordinator | Susan Dankert |
| • Senior Production Controller | Anna Falsetta |
| • Camera Trainee | Juan Montalvo |
| • Computer Graphics | Daniel Riley (1) |