Episode Info
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Episode number: 3x17 Production Number: 317 Airdate: Sunday April 18th, 1999 |
Co-Guest Stars
Main Cast
Other Episode Crew
| • Creator | Christopher Chacon | Peter Aykroyd (1) | Peter Ventrella |
| • Developer | James Nadler |
| • Executive Producer | Peter Aykroyd (1) | Christopher Chacon | Seaton McLean | James Nadler |
| • Producer | David N. Rosen |
| • Consulting Producer | Rick Drew |
| • Associate Producer | Matt Frewer | Caird Urquhart |
| • Production Designer | Gordon Barnes (2) |
| • Editor | Ion Webster |
| • Line Producer | Neill Browne |
| • First Assistant Director | Rico Gerussi |
| • Second Assistant Director | Ani Baravyan |
| • Music | Louis Natale |
| • Costume Designer | Mary Partridge |
| • Grip | Ryan Pannell | Tim Class |
| • Key Grip | Harper Forbes |
| • Camera Operator | Colin Hoult |
| • Set Decorator | George Venckus |
| • Location Manager | Avi Federgreen |
| • Transportation Coordinator | Al Paldino |
| • Property Master | Stephen Levitt |
| • Production Coordinator | Lori Pumputis |
| • Assistant Editor | Rob Mackinnon |
| • Post Production Supervisor | Paul Ackerley |
| • Gaffer | Marty Harrison |
| • On-Line Editor | Paul Deakin |
| • Other | Ruth Dyer (Atlantis Publicity) | Harper Forbes (Dolly Grip) | Peter Leuchter (Driver Captain) | Rachel Nelson (Executive In Charge for the CanWest Global System) | Pat Allan (Genny Operator) | Richard Fowler (Legal Counsel) |
| • Director of Photography | John Holosko |
| • Story Editor | Sarah Dodd |
| • Stunt Coordinator | Shelley Cook |
| • Art Director | Kim Rennick |
| • Post Production Coordinator | Carolyne McLean |
| • Production Manager | Neill Browne |
| • Sound Mixer | Jack Herren | Steph Carrier |
| • Executive Story Editor | Damian Kindler |
| • Sound Recordist | Dan Daniels |
| • Third Assistant Director | Chi Fung |
| • Consultant | Kevin W. Juergensen |
| • Boom Operator | Mark McNeilly |
| • Key Makeup Artist | Deborah Williams |
| • Production Accountant | Sheila Brewer |
| • Extras Casting | Donna Dupere |
| • Props | Richard Armstrong (2) |
| • Set Dresser | Donny Lamont | John Lamont |
| • Wardrobe Assistant | Amina Mohamed | April Poppe |
| • Location Manager Assistant | Megan O'neill |
| • Best Boy | Paul Michel |
| • Key Hairstylist | Jocelyn Macdonald |
| • First Assistant Camera | Jeremy Tabarrok |
| • Composer | Louis Natale |
| • Electrician | Steve Van Denzen |
| • Colorist | Lorraine Grant | Bob Ablack |
| • Assistant Costume Designer | Catherine Ashton |
| • Continuity | Mary Canty |
| • Assistant Accountant | Madeleine Hudson | Bob Barr (4) |
| • Assistant Sound Editor | Paul Virostek | Mike Palmer |
| • Prop Buyer | Jaclyn Shoub |
| • Driver | Jack Sicluna | Tom Pinteric | Darrell Gibson |
| • Casting Director | Clare Walker |
| • Sound Effects Editor | Rob Betola |
| • Technical Advisor | Heather A. Cook |
| • Lead Set Dresser | Jim Lambie | Rick Gilbert |
| • Lead Props | Doug Lunn |
| • First Assistant Art Director | Michelle Perkovich |
| • Second Assistant Art Director | Michaela Cheyne |
| • Best Boy Grip | Jeff Smallcombe |
| • Head Driver | Shane Kitchener |
| • Business Affairs | Randi Kirshenbaum |
| • Dialogue Editor | Dale Sheldrake |
| • Trainee Assistant Director | P. J. Diaz |
| • Location Production Assistant | James Campbell (1) |
| • Assistant Coordinator | Elizabeth Ritchie |
| • Story Department Coordinator | Sheila Prescott-Vessey |
| • Second Assistant Camera | Gottfried Pflugbeil |
| • Project Coordinator | James Broadley |
| • Senior Production Controller | Anna Falsetta |
| • Camera Trainee | Trina Martin Lucas |
| • Computer Graphics | Daniel Riley (1) |
| • Wardrobe Set Supervisor | Constance Buck |
| • Wardrobe Set Assistant | Susan Nycz |
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