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Warehouse 13: Endless

While the team deals with the news that Warehouse 13 is moving, Mrs. Frederic has them load their greatest memories of their missions into an artifact for future generations.

Episode Info  

Episode number: 5x6
Airdate: Monday May 19th, 2014

Director: Jack Kenny
Writer: John-Paul Nickel

Alternate Airdates:

CA (SHOWCASE) May 19, 2014
UK (Syfy) May 27, 2014

Guest Stars
Jaime MurrayJaime Murray
As Helena
Genelle WilliamsGenelle Williams
As Leena
Erick AvariErick Avari
As Catarunga
CCH PounderCCH Pounder
As Mrs. Frederic
Samm LevineSamm Levine
As Scott Mohr
Jack KennyJack Kenny
As Jack

Co-Guest Stars
Anthony GerbrandtAnthony Gerbrandt
As Jack the Ripper
Ryan McDonaldRyan McDonald
As Jonah Roth
Brittany AllenBrittany Allen
As Laura Roth
Mark Gibson (1)Mark Gibson (1)
As Adam (Future Agent)
Tamara AlmedaTamara Almeda
As Jenny (Future Agent)
Allison BrennanAllison Brennan
As London Prostitute
Main Cast
Eddie McClintockEddie McClintock
As Pete Lattimer
Joanne KellyJoanne Kelly
As Myka Bering
Saul RubinekSaul Rubinek
As Artie Nielsen
Allison ScagliottiAllison Scagliotti
As Claudia Donovan
Aaron AshmoreAaron Ashmore
As Steven Jinks
Episode Notes
Executive producer Jack Kenny appears at the end as the Artie-substitute, the appropriately named Jack.

ArtistSong TitlePlayed When
Glenn Miller Orchestra, TheMoonlight SeranadeArtie & Scott step into the past
Harry Warren42nd Streetshowgirls singing

Episode Quotes
Steven: Okay, that's it. No more Mr. Nice Gay.

Claudia: Well, it's only human to have doubts. Right, Mrs. Frederic? You must have had your doubts.
Mrs. Frederic: No, I was always resolute.
Claudia: Thank you again.

Artie: You have to believe that things are going to turn out for the best.
Laura Roth: But what if they don't?
Artie: Life comes with bad times and good ones. If you stay here, you're gonna miss 'em all.

Artie: And I have the warehouse. Life is perfect.
Claudia: The warehouse is moving.
Artie: Right, well, nothing's perfect.

(to the warehouse)
Artie: And what difference does it make? It's over. And this is how it ends? Just over? And what am I supposed to do? Just walk away? Just walk away. You know, you give your whole life to something every day without complaining--well, no serious complaints! I'm here every day. Every day I'm right here for you and your damn ping--your pings. Ping, ping, ping! Ping, ping, ping, ping, ping. I'm like a slave at your beck and call. You know I have lost--I have lost friends, family. People I've loved... have died in my arms, but I stayed faithful. I gave you everything and now that there's nothing left... for you to take, you're just gonna--just leave. Whore! That's what you are, you know! Yeah, you're just selling out to the highest bidder. Fine! You wanna go? Go! That's what you wanna do? Go! You don't want me. I sure as hell don't want you! En--enjoy your new home. You think you're gonna find somebody like me. Somebody who cares about you like I do? Ha! Ha! Good luck with that! Good luck finding somebody as devoted! Somebody who would give their whole life... without a "thank you." Without even a... piddling, little miniscule... acknowledgement that they're appreciated. That they even matter to you... at all.

Steven: Let's be honest. I've never completely belonged here. I'm kind of our Marilyn.
Claudia: Munster? Uh, no way. I'm Marilyn.
Steven: No, no, no. You are Eddie. Pete is Herman, Myka's Lily, Artie's Grandpa, and Mrs. Frederic is... not really part of the pattern.

Steven: I was inside a beating human heart. I'd forgotten about that moment. It was indescribable. I--you know, I saw it. I was there. It was like...
Mrs. Frederic: Nirvana?
Steven: You know, when I came to the warehouse, I didn't think that I'd ever find peace. Just... so much chaos, you know. But...
Claudia: You found it.
Steven: No. No, it was given to me. The warehouse showed it to me.

Myka: And you know what? You'd better get used to doing what I tell you.
Pete: Oh.
Myka: Yeah.
Pete: Could be good but it could be bad. So when do we get naked?
Myka: Well, we body swapped. You've been me naked.
Pete: Oh, yeah. That was a good day. (Myka punches him in the shoulder) Oooh. Oh, uh, after five years, I probably should tell you the whole punching thing... really turns me on.
Myka: I know.
Pete: Naughty.

Mrs. Frederic: I'm told you read auras.
Leena: Yes. Yours is an old soul.
Mrs. Frederic: Don't remind me.

Pete: Maybe my defining moment is all of it... every minute... that I got to spend with you guys. And I'm sorry, Mrs. F, I just was scared. I was scared that if I lost this, I'd go back to being the person I was before, and... but this is who I am now. The warehouse and--and all of you have made me a better man. If it ends tomorrow or if it goes on forever, nothing--nothing will ever change that.

Artie: I've never heard you laugh before.
Mrs. Frederic: I am a woman of infinite surprises.

Pete: So is it really over?
Mrs. Frederic: I believe I've mentioned this more than once. This particular wonder is endless.
Pete: Really? Just this once, I can't get a straight answer out of you?
Mrs. Frederic: See you tomorrow, Peter.

Cultural References
Pete: Talk about one singular sensation.

"One singular sensation" is a line from the signature song "One" in the 1975 Broadway musical A Chorus Line.

Steve: I'm kind of our Marilyn.

Steve is referring to Marilyn Munster, the "normal" member of the Munsters family from the 60s CBS sitcom The Munsters. The rest of the family were based on traditional movie monsters: Herman (Frankenstein's monster), Grandpa (vampire), Lily (female vampire), and Eddie (werewolf).

Episode References
The Warehouse giving Artie an apple refers back to "Stand", when Helena smelled apples on her first visit to Warehouse 12. Her mentor, Caturanga, told her that apples were the Warehouse's sign of approval.

Other Episode Crew

CreatorD. Brent Mote  |  Jane Espenson
Executive ProducerJack Kenny  |  Mark Winemaker
Co-Executive ProducerDiego Gutierrez (1)  |  Holly Harold
Supervising ProducerRobert Goodman
ProducerDeric A. Hughes  |  Benjamin Raab  |  Ted Miller (2)
Co-ProducerGregg Tilson  |  Ian Stokes
Production DesignerFranco De Cotiis
EditorHarry B. Miller III
CastingJonathan Oliveira  |  Robin D. Cook  |  Ty Harman  |  Suzanne Goddard-Smythe
Unit Production ManagerLisa Perone
First Assistant DirectorSimon Board
Second Assistant DirectorKarl Irvine
MusicEdward Rogers
Music EditorBen Zales
Music SupervisorAlicen Catron Schneider  |  Aimee Bond
Costume DesignerJoanne Hansen
Key GripJeffrey Orr
Set DecoratorCarol Lavoie
Location ManagerAndrew Gainor
Property MasterKerry Spurrell
Production Sound MixerThomas Hidderley
Production CoordinatorCynthia Hiley
Assistant EditorDan Downer
Post Production SupervisorKatie Lilly
Supervising Sound EditorJack Levy  |  Daniel Colman
On-Line EditorPete Fausone
Director of PhotographyMichael Storey
Story EditorJohn-Paul Nickel
Art DirectorMichele Brady
Assistant Production CoordinatorEric Gamache
Post Production CoordinatorCrystal Rose Holmes
Art Department CoordinatorJoyce McPherson
Visual Effects SupervisorClint Green
Production AccountantKaren Colaco  |  Lincoln D'Souza
"A" Camera OperatorBrian Gedge
Visual Effects ProducerDarren Cranford
ColoristRobert Tomaszewski
Special Effects CoordinatorDarcy Callaghan
Sound DesignDaniel Colman  |  Jeff K. Brunello
First Assistant Art DirectorRudy Braun  |  Hiep Pham  |  Hamish Buchanan  |  Max Macdonald
"B" Camera OperatorTim Sauder
Visual Effects Project ManagerDennis Temprile
Key GafferJohn Botelho
Key MakeupBurton Leblanc
Key HairRegan Noble
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